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13 of 13 people found the following review helpful:
4.0 out of 5 stars
Overwritten but bursting with ideas., 6 Nov 2002
In this excellent second novel, Mieville delivers on the potential hinted at in his first work 'King Rat'. Whilst 'Perdido Street Station' is very strong on characterisation and plot, its major achievement is the creation of a unique metropolis, which never fails to surprise and engage the reader. Mieville is a true polymath, with an ingenious imagination and a formidable vocabulary. He seems able to write with authority on most subjects and weaves technical language and metaphors in to his work with ease. However, one of the greatest joys of this novel is its accessibility; the author uses his obvious intelligence to entertain rather than to impress. The result is an engaging, exciting and highly enjoyable read. However, a valid criticism of this book is that it is overwritten. This becomes a serious nuisance towards the end of the book, when the highly descriptive prose slows down the plot instead of allowing the pace to pick up as the finale approaches. This loss of momentum caused me to lose interest at what should have been a critical point in the book. Although this is a great novel, it is certainly not the best that this author can produce. The follow-up, set in the same world, is a far more accomplished novel and if you like 'Perdido Street Station' you will love 'The Scar'.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Real Fantasy For A Change, 4 Feb 2004
By A Customer
This book is an excellent read, although not always easy going. China Mieveille's writing style is often a little too heavy, but always conveys the turgid, unkempt feel of the ancient city of New Crobuzon. The characterization is generally good, although some of the characters are not particularly strongly voiced (Isaac for example): more often than not their personality comes across more from their actions than from their dialogue (in the case of Lin the Khepri this is of course inevitable, being unable to speak!). All the characters feel real, however, even the most grotesque and physically alien, and the reader is capable of feeling some degree of empathy with them.The description is excellent, providing vivid images of a decadent and squalor-ridden alien city that is just close enough to those of our world to be familiar. The feel is always futuristic and ancient- the steam technology always feels like an echo of something far more advanced that has long been lost. In some ways this is a drawback: almost all we ever see of the city is squalor and grime, to the extent where it feels that even the upper eschelons of New Crobuzon eschew the use of cleaners and maintenance staff. This is only a tiny quibble though. A superb touch is the occasional lack of detail one is given, which counters the occasional over description well: sometimes creatures are merely named and the reader left to dream up what that something is. The effect is that the city always feels yet more alive and just beyond the periphery of the reader's vision. The plot is very simple (unknown monster terrorizes city), but is presented in a complex way: a number of lives and incidents converge on the central plot. The rationalization behind all of this is tremendous and the magnificent amount of imagination that has been bestowed on Mieville's creation is wonderful: every facet of the city lives and breathes, often in more ways than one. The downside to this is that there is a bit of a kitchen-sink feeling to the book: insect-people (check), cactus people (check), vivisection victims (check), genetic aberrations (check), steam-punk cyborgs (check), multidimensional horrors (check)- and all in the first few sections of the book, the list goes on beyond this! That said this does make for a wonderfully cosmopolitan world, and a good dose of character and colour that is sorely lacking from 99% of fantasy writing available these days. Much has been made of the extensive vocabulary used: but this is surely a good thing? Generally where unusual vocabulary has been used it is used to create an atmosphere and effect. Thankfully this book cannot be pigeon-holed: it truly is a work of real fantasy and proves that fantasy can be made to deal with any number of parallels and real-world issues (dominance of technology, distribution of wealth and economics, racial discrimination, social discrimination- all can be found in the book in one form or another). The book is a little clumsy from time to time, featuring wasted sections and, ironically, a little too much creativity that does not always gel, but overall is a truly refreshing experience when the bulk of fantasy novels are pale imitations of each other mimicing Tolkien in one form or another. A superb read, though, well worth the money and a prime example that real fantasy is still alive and kicking: recommended to anybody but particularly those who have enjoyed Michael Moorcock's fiction, M. John Harrison's `Viriconium' series and Mervyn Peake's writing too. Perdido Street Station isn't the same or similar to any of those except it carries a wonderfully ornate and alien feel to it. What it does share is that it is rarely a jolly book, but is always an interesting and enjoyable, imaginitive read.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars
Stunning fantasy novel, 28 Jun 2005
China Mieville's debut novel King Rat was pretty good - but this is simply on another level. Perdido Street Station occupies a strange position as it seems to straddle a number of different genres at once: fantasy, science fiction and horror, and should be satisfying to any fans of those genres. Ostensibly Perdido Street Station is a fantasy novel, though one where the usual sub-Tolkien genre clichés of orcs, goblins, elves and dwarfs are replaced by a far stranger menagerie of human and exotic creatures, and those Remade caught somewhere in between. Despite the presence of what we would call magic, the novel also has a strong science fiction flavour, with it's lead character being a scientist, and Mieville rationalising the more fantastical elements of the novel with the fictional science of crisis energy. Added to is a strong horror element in the novels main threat of mind-sucking Slake Moths - creatures as fearsome as anything you'll find in horror fiction. Despite it's length Perdido Street Station is quite a simple story at it's heart, concerning the unwitting release of the deadly Slake Moths into the skies above the city of New Crobuzon, and the desperate efforts to destroy these creatures before they spawn, but it's depth of setting and characters is immense. On every level Perdido Street Station succeeds - firstly we have the wonderful creation of New Crobuzon itself -a dark yet beguiling location filled with such weirdness as the human/scarab hybrid Khepri; cactus people who live in their own massive greenhouse; water-shaping Vodyani; the Remade - humans cruelly twisted into perverse forms; mad spider-gods who weave the threads of the reality for their own aesthetic delight; and much more. On top of this Mieville creates a fast and furious adventure story concerning the Slake Moths, and he tells the tale through a group of compelling characters, none more so than the wingless birdman who in seeking flight first sets events in motion, and who's secret shame acts as the framing device for this novel. Admittedly Perdido Street Station attempts little more than to tell an exciting adventure story, and there's no real thematic depth to the novel at all, but it's such a vivid adventure that despite its length you'll be genuinely sad when the novel ends and you have to leave New Crobuzon behind. If you like intelligent fantasy, science fiction or horror, you should love this novel.
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