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Review
"In the mid-seventies, a young man named Jeffery Moussaieff Masson began to appear at psychoanalytic congresses and to draw a certain perplexed attention to himself." With that finely tuned opening line Malcolm (The Impossible Profession) begins this brief, shrewdly balanced, darkly amusing interview/profile of recent attacks on the Freudian establishment. The Masson case is, of course, now at least superficially well-known - thanks to the recent arrival of his Assault on Truth (p. 36). In the last pages here, in fact, Masson tells Malcolm (who must be an uncommonly un-threatening interviewer) about the book's impending publication: "Wait till it reaches the best-seller list, and watch how the analysts will crawl. . . . There's no possible refutation of this book. it's going to cause a revolution in psychoanalysis." But Masson's version of Freud's renunciation of the seduction theory - based in part on his access, as curator, to the Freud Archives - hasn't become a best-seller, has been widely refuted. And anyone who read these Malcolm pieces when they were published in The New Yorker might have predicted that outcome - because, while presenting the Freud traditionalists (e.g., eccentric, excitable Kurt Eissler) as defensive extremists, Malcolm's portrait of Masson is devastating: largely through his own words he emerges as a feverish jumble of vanity, self-destruction, childishness, and ruthlessness; implicitly, too, she points to the holes in his theories. Less well-known, and given less space here, is bizarre Peter Swales - a youngish, Welsh researcher into Freud's early life and career, obsessively trying to document his theories about Freud's love affair with Minna Bernays. As made clear in Malcolm's wonderfully economical reportage, Swales' manic quest led him into conflict with not only the orthodox Freudians but with rival-researcher Masson. ("Earlier, in April, Swales had written Masson a letter in which - for forty-five single-spaced typewritten pages - he enumerated the wrongs he felt he had suffered at Masson's hands. . . .") The upshot? Fascinating issues, operatic emotions, grandly captured personalities, the ironic interplay between the profound and the petty - plus the very real importance of those still-secret Archives: wise, understated journalism/entertainment that leaves you wanting to know much, much more. (Kirkus Reviews)
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This account of a scandal in the world of New York psychoanalysis features: K.R. Eissler, a psychoanalyst and head of the Sigmund Freud archives; Jeffrey Moussaieff Masson, a scholar turned psychoanalyst and anti-Freudian; and Peter Swales, a former assistant to the Rolling Stones and self-taught Freud scholar. Masson, repeating history, sued Malcolm and her publishers. In an afterword written for this edition, Malcolm gives a concise history of the publicised, 11-million-dollar, 11-year lawsuit - which Masson lost in 1994 - and writes of the experience of becoming "another agent of Masson's chronic disappointment in the world."