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140 of 170 people found the following review helpful:
5.0 out of 5 stars
A Thousand Shades of Grey, 20 Feb 2007
If you like your fiction to have an equitable balance of light and shade, peopled by a galaxy of interesting characters and interspersed with humour and social interaction, then The Road is certainly not for you. However, to cast this book aside would be to miss one of the most extraordinary feats of imaginative world painting in modern literature. McCarthy's subject is as bleak as it is possible to imagine: a post apocalyptic planet Earth in perpetual nuclear winter where the landscape is dead or dying covered in a ubiquitous black ash slowly choking and silencing every living thing. It is a world without sun, animals, and plants where a few humans scavenge to survive abandoning all compassion and morality to do so. Amidst this nightmare a father and his son are found trekking across the wasteland of the United States heading for the coast hoping to find something in a world where hope has ceased to exist. It is their story which holds our attention: amidst the endless desolation and as they battle to survive, McCarthy explores the doubts, suspicions, loyalties and trade offs which typify any filial bond with enormous sensitivity and perception. Yet this pair must face questions unlikely to have been faced by many in any era: what is the point of life when the world as we know it is just a disappearing memory in the mind of a father whose son knows only a world of emptiness? Why try to survive when there is no chance of life being sustained over the long term? Ultimately they find purpose in their own inter-dependence wherein they learn to find all meaning and incentive. This subject is not a new one of course, but what makes The Road so compelling is the author's ability to create this grey, desolate world with such sustained authority and conviction: never once does the curtain of illusion fall, not for a second is the spell broken: we walk the endless highways of nothingness, we ponder where the next can of food might be found, we share the fear that round the next corner might be a marauding armed gang ready to kill for a bottle of water. Beginning from a canvas painted with almost photographic realism, the writer affords his subject an almost allegorical form in order to ponder the philosophical issues raised by the annihilation of the earth and the consideration of what it means to live without expectation of a future. Written in shorn down, skeletal prose with not a single redundant phrase, McCarthy has created an unforgettable and profoundly moving meditation on what it is to be human in a world almost beyond the comprehension of mankind. A stunning achievement.
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26 of 32 people found the following review helpful:
5.0 out of 5 stars
An essential read, 10 Jun 2007
Cormac McCarthy is one of the USA's biggest and most important literary novelists, laden with awards and praise throughout his lengthy career. It is almost unnecessary to review The Road, his latest novel, as it has already won this year's Pulitzer Prize for Fiction and garnered a major sales-boosting appearance on Oprah Winfrey's US book club, but it was a book of such impressive power I felt compelled to add my thoughts.
Some have already argued that The Road is not really science fiction, since the book features nearly nothing about the holocaust that destroyed civilisation before the book began (there are hints of it being either a nuclear war or an asteroid impact), little about how humanity develops afterwards (aside from the obvious descent into barbarism) and little in the way of an effective plot. The story is instead a series of viginettes that follow the unnamed protagonist ('the man') and his unnamed son ('the boy') as they head south, away from the freezing winter that is consuming the devastated USA, hoping to find a safe haven along the coast. Along the way they occasionally meet other survivors, they loot abandoned shops and homes, and find themselves relying on one another to keep going. However, science fiction is more than just about machines and sociology: it's about people, and how the impact of a future event (such as an atomic holocaust or an meteor strike) effects them and their lives. In this regard, The Road is essential science fiction.
The book is beautifully, starkly written. McCarthy employs a stripped-down prose style with some minor embellishments to keep the story moving. Given that many pages are covered by simple, short sentences as the man and the boy exchange views, the book is actually much shorter than its 300-page count would suggest, and easily readable in a couple of hours. The lack of plot is unnecessary, as this is a stunning atmospheric mood piece with some biting observations on the nature of humanity.
It is difficult to find anything worth criticising about the book. Some may feel there isn't enough plot or backstory or in-depth character history, but that's not the aim of the work. It's about two people and what keeps them going when everything else has been destroyed. In that regard, it works brilliantly. There are some vague similarities to earlier works - this could almost be said to be a road trip (but less revelatory) version of Richard Matheson's I Am Legend - but nothing that is particularly offputting. The book is stunning.
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89 of 113 people found the following review helpful:
5.0 out of 5 stars
This is a superb book, 14 Nov 2006
I picked this up after reading a glowing review in the press. I'm completely new to Cormac McCarthy having never read any of his other works. I have to say this is a superb book.
The book is set in a post-apocalyptic future. Though it's never stated what exactly happened, the subtext suggests a nuclear winter following a war. The earth is burnt, all vegetation is dead and it rains and snows ash. The plot follows the journey of a man and his son towards the south in order to find somewhere they can do more than just survive. But as all food has now been plundered - this being several years since the disaster - they are always on the edge of starvation. They must travel without being seen, as most of humanity that is left has long since resorted to cannibalism to survive.
What this is really about though is the extraordinary relationship between man and boy. The lengths that the man will go to protect his son and see him through the other end. It is a novel that for all its darkness is full of love. And wow is this dark. Many authors have written about the end of the world/survival but I don't think I've read anything quite this bleak. The scenery is utterly symapathetic to the couple's plight. It is filled with an overpowering poignancy for things lost - birds, cows, blue seas.
This is a very sad but at the same time uplifting book. The language used is simple and the conversational parts between man and boy are deliberately kept short. A wonderful book that I couldn't put down until I'd finished.
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