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Glamorama
 
 
Glamorama (Paperback)
by Bret Easton Ellis (Author)
3.4 out of 5 stars  (51 customer reviews)

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39 used & new available from £0.01
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Product details
  • Paperback: 496 pages
  • Publisher: Picador; New Ed edition (10 Dec 1999)
  • Language English
  • ISBN-10: 0330372092
  • ISBN-13: 978-0330372091
  • Product Dimensions: 19.6 x 12.9 x 3.4 cm
  • Average Customer Review: 3.4 out of 5 stars  (51 customer reviews)
  • Amazon.co.uk Sales Rank: 102,165 in Books (See Bestsellers in Books)

    Popular in this category:

    #14 in  Books > Fiction > Cult Authors > Ellis, Bret Easton

    (Publishers and authors: Improve Your Sales)
  • Other Editions: Hardcover  |  Paperback  |  Audio Cassette (Audiobook) |  All Editions


Product Description
Amazon.co.uk Review
Glamorama is a satirical mass-murder opus more ambitious than Ellis's 1990 American Psycho. It starts as a spritz-of-consciousness romp about kid-club entrepreneur Victor Ward, "the It boy of the moment," an actor/model up for Flatliners II. Ellis has perfect pitch for glam-speak, and he gives nightlife the fizz, pace, and shimmer it lacks in drab reality. Anyone could cite the right celeb names and tunes; but like a rock-polishing machine, his prose gives literary sheen to fame-chasing air-kissers. He's coldly funny: when Victor's girl tries to argue him out of a break up, she angrily snorts six bumps of coke, stops, mutters, "Wrong vial," snorts four corrective doses from whatever she has in her other fist, then objects to a rival at the party wearing the same dress she's wearing.

You had to be there; Ellis makes you feel you are. But such satire is a very smart bomb targeting a very large barn. Models' status anxiety doesn't merit Ellis's Tom Wolfe-esque expertise. Glamorama gets better when Victor gets drafted into a mysterious group of model/terrorists who bomb 747s and the Ritz in Paris, wearing Kevlar-lined Armani suits. Oh, they still behave like shallow snobs, pronouncing "cool" as if it had 12 "o"s, but now when somebody swills Cristal, it's apt to be poisoned, to horrific effect, which Ellis expertly describes. His enfant-terrible debut Less Than Zero aped Joan Didion. Now Ellis has grown into a lesser Don DeLillo--and that's high praise. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.

Synopsis
A man in what is recognizably New York is drawn into a shadowy looking-glass of that society and then finds himself trapped on the other side, in a much darker place where fame and terrorism, and family and politics, are inextricably linked and sometimes indistinguishable.


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