Amazon.co.uk Review
You'd think there wouldn't be much left to say about a living icon like Muhammad Ali, yet David Remnick imbues
King of the World with all the freshness and vitality this legendary fighter displayed in his prime. Beginning with the pre-Ali days of boxing and its two archetypes, Floyd Patterson (the good black heavyweight) and Sonny Liston (the bad black heavyweight), Remnick deftly sets the stage for the emergence of a heavyweight champion the likes of which the world had never seen: a three-dimensional, Technicolor showman, fighter and minister of Islam, a man who talked almost as well as he fought. But mostly Remnick's portrait is of a man who could not be confined to any existing stereotypes, inside the ring or out.
In extraordinary detail, Remnick depicts Ali as a creation of his own imagination as we follow the wilful and mercurial young Cassius Clay from his boyhood and watch him hone and shape himself to a figure who would eventually command centre stage in one of the most volatile decades in our history. To Remnick it seems clear that Ali's greatest accomplishment is to prove beyond a doubt that not only is it possible to challenge the implacable forces of the establishment (the noir-ish, gangster-ridden fight game and the ethos of a whole country) but, with the right combination of conviction and talent, to triumph over these forces. --Fred Haefele
Synopsis
Concentrating on Muhammad Ali's early career, when he was still fighting as Cassius Clay, this book begins in 1962 with the fight betwenn Floyd Patterson and Sonny Liston. It then describes Clay's 1964 bout with Liston, through to his draft refusal in 1967.
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