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by J M Coetzee
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![The English Patient (Special Edition) [DVD] [1996]](http://ecx.images-amazon.com/images/I/41IbnnKwfmL._SL500_SS90_.jpg)
DVD ~ Ralph Fiennes
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by Charlotte Dacre
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by Sloan Wilson
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by Herman Melville
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Amazon.co.uk Review
Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as the second world war ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal and rescue illuminate this book like flashes of sheet lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.
A book that binds readers of great literature, The English Patient secured the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family. --This text refers to an out of print or unavailable edition of this title.
Review
Booker Prize Winner 1992. At the end of World War II a nurse is living in a ruined villa in Tuscany, tending a single patient - an English pilot who had stepped, burned black, from his crashed plane into the arms of a North African desert tribe which added their wisdom to his own. To the villa come her old friend Caravaggio, maimed physically and mentally by the war, and a young Sikh bomb disposal officer. Pellucid prose, mysterious compelling symbolism, fluid movement backward and forward in time make this enigmatic, sometimes difficult novel impossible to forget. (Kirkus UK)
Canadian poet/novelist Ondaatje (In the Skin of a Lion, 1987, etc.) assembles, mosaic-fashion, the lives of four occupants of an Italian villa near Florence at the end of WW II. The war-damaged villa, its grounds strewn with mines, has gone from to German stronghold to Allied hospital, its sole occupants now a young Canadian nurse, Hana, and her last patient, a born victim. They are joined by David Caravaggio, an Italian-Canadian friend of Hana's father but also a thief used by Western intelligence, and Kip (Kirpal Singh), an Indian sapper in the British Army. So: a dying man and two wrecks - for David has become a morphine addict after his recent capture and torture, while Hana, who coped with the loss of her soldier sweetheart and their child (aborted), has been undone by news of her father's death. Only Kip is functioning efficiently, defusing the mines. Ondaatje superimposes on this tableau the landscape of the pre-war North African desert, with its strange brotherhood of Western explorers, filtered through the consciousness of Harm's patient. Though he claims to have forgotten his identity during the fiery fall from his plane into the desert, it seems the putative Englishman is the Hungarian explorer (and sometime German spy) Almasy, but such puzzles count for less than his erudition (his beloved Herodotus is the novel's presiding spirit), his internationalism ("Erase nations!"), and his doomed but incandescent love affair with the bride of an English explorer - an affair ignited by the desert and Herodotus, and a dramatic contrast to the "formal celibacy" of the love developing at the villa between Hana and Kip, which ends (crudely) when Kip learns of the Hiroshima bombing, discovers his racial identity, and quits the white man's war. A challenging, disorienting, periodically captivating journey without maps, best when least showy, as in the marvelous account of Kip's adoption by an eccentric English peer, his bomb-disposal instructor. (Kirkus Reviews)
Canadian poet/novelist Ondaatje (In the Skin of a Lion, 1987, etc.) assembles, mosaic-fashion, the lives of four occupants of an Italian villa near Florence at the end of WW II. The war-damaged villa, its grounds strewn with mines, has gone from to German stronghold to Allied hospital, its sole occupants now a young Canadian nurse, Hana, and her last patient, a born victim. They are joined by David Caravaggio, an Italian-Canadian friend of Hana's father but also a thief used by Western intelligence, and Kip (Kirpal Singh), an Indian sapper in the British Army. So: a dying man and two wrecks - for David has become a morphine addict after his recent capture and torture, while Hana, who coped with the loss of her soldier sweetheart and their child (aborted), has been undone by news of her father's death. Only Kip is functioning efficiently, defusing the mines. Ondaatje superimposes on this tableau the landscape of the pre-war North African desert, with its strange brotherhood of Western explorers, filtered through the consciousness of Harm's patient. Though he claims to have forgotten his identity during the fiery fall from his plane into the desert, it seems the putative Englishman is the Hungarian explorer (and sometime German spy) Almasy, but such puzzles count for less than his erudition (his beloved Herodotus is the novel's presiding spirit), his internationalism ("Erase nations!"), and his doomed but incandescent love affair with the bride of an English explorer - an affair ignited by the desert and Herodotus, and a dramatic contrast to the "formal celibacy" of the love developing at the villa between Hana and Kip, which ends (crudely) when Kip learns of the Hiroshima bombing, discovers his racial identity, and quits the white man's war. A challenging, disorienting, periodically captivating journey without maps, best when least showy, as in the marvelous account of Kip's adoption by an eccentric English peer, his bomb-disposal instructor. (Kirkus Reviews)
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