Review
For Tosches, biographer of Dean Martin and Sonny Liston, writing a life of Emmett Miller - the blackface performer whose yodel, like the cornet of Buddy Bolden, rode across the night sky in the early years of jazz - was like chasing a chimera. Against a background of crackling 78s, those few fellow artistes remaining dredge up their memories to shed light on Miller's forgotten brilliance. What adds another dimension is Tosches' comparison of minstrelsy with the modern world of gangsta rap. "Is the pose of many contemporary rap groups dissimilar in essence to that of the 'coon' acts of the past?", he asks bravely. "Is an exaggerated pretence of being dangerous and lawless anything more than a variation on the exaggerated pretence of being benign, comical and docile...?" This is courageous, controversial writing.
--This text refers to an alternate
Paperback
edition.
The New York Times Book Review
Memorable
full of roguish passion and sardonic humour.
--This text refers to an alternate
Paperback
edition.