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The Jazz
 
 
The Jazz (Paperback)
by Melissa Scott (Author) "The Dragon Garden was upscale and crowded, black china and linen and chrome trim on the walls, and not a dragon or a flower in..." (more)
4.0 out of 5 stars 1 customer review (1 customer review)

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Synopsis
Melissa Scott, twice winner of the Lambda Award for the best SF novel and author of cyberpunk classic Trouble and Her Friends, returns with a hip novel of the media-dominated future. Tin Lizzy, a young woman techie with a criminal past, and Keyz, a teenage boy who used his parents' access codes to borrow a Hollywood studio's editing programme (the hidden source of its media success), are on the run from the studio police and the vengeance of a megalomaniac CEO across the altered landscape of mid-21st century USA. The Jazz is the new artform of the internet in the new century, the art of spreading convincing, entertaining lies. THE JAZZ is a triumph.

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The Dragon Garden was upscale and crowded, black china and linen and chrome trim on the walls, and not a dragon or a flower in sight despite the name. Read the first page
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Playing 'The Jazz' has its delights!, 28 Sep 2000
By A Customer
This review is from: The Jazz (Hardcover)
Anyone who follows Melissa Scott's work will know that she seems to write in several 'veins'. This book is very much in the style of 'Trouble and Her Friends', but improves in several key areas.

Set in a near-future world with cyberpunk atmosphere but without the usual 'cyber' accoutrements, this book is about people living on the grey side of the law. Keyz is a teenage hacker who has stolen a program from a major studio without realising how important it is. Pursued by the studio, he turns to Tin Lizzy, the women who put up a piece of his satirical writing ('The Jazz' of the title). Unfortunately, Tin Lizzy has her own problems, not least a colourful history that comes back to haunt her.

As always, Scott's conviction in the worlds she builds and her skill at conveying it mean the book immerses you effortlessly. Tin Lizzy is a well-realised character, someone you think you would like to meet, but that you would probably hate if you did. Her motivations are clear and understandable, but she is by no means a saint. Keyz never really develops as a character, but as he is the initiation of the story rather than its impetus it doesn't really matter. (In addition, it works quite well to convey an 'innocent' caught up in events that he doesn't really understand).

The negative on this book surrounds the plot. It's not a bad plot, and it is sustained the length of the book quite nicely. The problem is that the plot does not require the milieu. It fails the SF test of being unable to be told outside of the world in which it has been set. In fact, it faintly reminded me of the film 'The Parallax View', though I haven't entirely figured out why. Scott is capable of writing top-notch SF ('Dreamships', 'The Kindly Ones', 'Burning Bright', 'Shadow Man'), but this is not quite up to that caliber.

What it is, however, is an undeniably enjoyable read and a decent way to spend a few quid. It doesn't, to me, reveal or question any fundamentals, the way the other books listed do.

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