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"A generous grab bag of essays and reviews by a shrewd listener with curious ears and an open mind." Terry Teachout "For over 35 years, Larry Kart has been one of the best and most insightful critics writing about jazz and popular music. A collection of his work is a long-overdue treat from an important voice in contemporary-music criticism." Bill Kirchner, composer-arranger, saxophonist, bandleader, jazz historian, producer, educator, and editor of The Oxford Companion to Jazz."
Product Description
In this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music's key stylistic developments, Kart sees jazz as a unique perpetual narrative - one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz's relationship to American popular song and examines the jazz musician's role as actual and would-be social rebel.
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"A generous grab bag of essays and reviews by a shrewd listener with curious ears and an open mind." Terry Teachout "For over 35 years, Larry Kart has been one of the best and most insightful critics writing about jazz and popular music. A collection of his work is a long-overdue treat from an important voice in contemporary-music criticism." Bill Kirchner, composer-arranger, saxophonist, bandleader, jazz historian, producer, educator, and editor of The Oxford Companion to Jazz."
Product Description
In this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music's key stylistic developments, Kart sees jazz as a unique perpetual narrative - one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz's relationship to American popular song and examines the jazz musician's role as actual and would-be social rebel.
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