Truth Is Stranger Than It Used to Be: Biblical Faith in a Postmodern Age (Gospel & Culture) (Paperback)

Authors Middleton and Walsh ask in the first chapter four key questions, that they put in context of the controversy over honouring the discovery of Columbus in 1992. Whereas in the not-too-distant America, the 500th anniversary of Columbus' voyage to the New World would have been heralded as an historical success, in the growing postmodernity sensibility, the varying interpretations of Columbus (the destruction of Native America, the original intention of colonialism and resource exploitation, the fact that others had in fact 'discovered' America first, etc.) made sure than no particular view held sway. This was new -- we no longer knew who we were. Who are we? Where are we? What's wrong? What's the remedy? These are the key questions, and in typical postmodern fashion, they are deceptively simple in construction, and nearly impossible to answer completely.

Whereas modernity saw society as always in progress, a sense of continuing evolution toward the better, postmodernity saw the failures of this -- empires fall and don't always lead to better situations; science cannot in fact answer all questions and solve all problems; reason and intelligence and individuality are not the unqualified 'goods' that the Enlightenment made them out to be. But not only is our worldview different, but how reality is constructed and deconstructed is different (can there be a book on postmodernism that does not reference Derrida? If there were, would it be worth anything?). The self becomes de-centered, and objective history and society gives way to narrative -- Middleton and Walsh reference Alistair MacIntyre's significant work 'After Virtue', which, while far from being a postmodern book, anticipates much of postmodernism's interest in recovering useful aspects of the ancient and pre-modern. One of the concerns of postmodernism in relation to narrative is the distrust of the universalising and totalising nature of metanarratives, i.e., making all things fit into one story, usually told one way.

The authors an interlude serving as a bridge between the two primary sections of the text, here to examine a few crucial points, one of which being an obvious problem -- if postmodernism is suspicious of metanarrative, how can Christianity and its attendant scriptures have any real authority, being one of the greater and more powerful metanarratives in human history?

Middleton and Walsh suggest that metanarratives may be pharmacological in nature -- take enough and it is a remedy, take the wrong dose, and it is poisonous, even fatal. One thing vital to the biblical project of the authors is that this become not just a story, but our story, something that we not only believe and espouse, but inside of which we dwell. Referencing such biblical scholars as Brueggeman and Trible, Middleton and Walsh acknowledge the need to be honest about the diversity within the scriptures and the sometimes terrible texts included.

There is an overall chiastic structure to the book, akin to various biblical passages in both testaments. Middleton and Walsh look for internal norms and guidance from scripture -- while these might be arguable, they correctly identify that postmodernism in-and-of-itself does not provide a norma normans. One criticism of Middleton and Walsh's overall approach is that they tend to see postmodernism as more monolithic than in fact it is; perhaps this owes more to the structure and limitations of the text than to their actual views.

Ultimately, Middleton and Walsh look at the biblical texts in ways that probably become too liberal for most strive to see the Bible as an inerrant text. However, it would be hard for anyone to say that the biblical text is not taken seriously, both as a normative document and as a living embodiment of God's word. Perhaps God is, in God's own self, postmodern, defying conventional notions of foundation and totalising -- the fact that God created things that are not God might speak to this.

A fascinating text.