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Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing
 
 

Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing (Paperback)

by Brad Hinkel (Author), Ron Reeder (Author)
2.0 out of 5 stars See all reviews (1 customer review)
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Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing + The World of Lith Printing: The Best of Traditional Darkroom and Digital Lith Printing Techniques + Bromoil: A Foundation Course
Price For All Three: £52.11

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Product details

  • Paperback: 224 pages
  • Publisher: Focal Press (27 Nov 2006)
  • Language English
  • ISBN-10: 0240808541
  • ISBN-13: 978-0240808543
  • Product Dimensions: 23.4 x 18.8 x 1.3 cm
  • Average Customer Review: 2.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 279,945 in Books (See Bestsellers in Books)

    Popular in this category:

    #18 in  Books > Computing & Internet > Digital Photography > Manipulating & Editing Photographs > Printing
  • See Complete Table of Contents

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Product Description

Product Description
Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative
Process Printing bridges the world of traditional photographic printing with digital technology. A digital negative, prepared in Photoshop, allows you to skip the dark room time developing the negatives-getting straight to a variety of printing processes including silver, platinum, and a host of other "alternative" processes. You will see this as an opportunity to mix technology with traditional photo processes resulting in more time for your art! In the recent past, photographers that wanted digital negatives had to take their business to labs. Now all of you Photoshop users can incorporate this practice into your workflow of choice.

*Easy, quick start recommendations for specific supplies and instructions for making your first print quickly without all the details of calibrating digital negatives.
·Offers expert instruction for the more advanced; much of the book will be focused on how to calibrate digital negatives, configure a digital darkroom, and fine tune prints from digital negatives
·Adventurous, experimental techniques take printing using alternative processes into new options including toning, multiple printing, printing with ink and platinum, plus others.

About the Author
Brad Hinkel worked as a program manager for a very large software company in the Seattle area. He helped ship a number of important software products including Word, Mail, and Flight Simulator. He also worked for an Internet retailer in the mid-90's. Brad has been teaching digital photography since 1999. He was largely responsible for starting the digital photography program at the Rocky Mountain School of Photography starting in 1999, and has taught several sections of every course at RMSP. He also created the complete digital photography program at the Photographic Center Northwest in Seattle starting in 2000, and created the entire digital curriculum for that school.

Ron was trained as a biochemist and had a career conducting research into gene control mechanisms. Most recently, he directed a laboratory at the Hutchinson Cancer Center in Seattle from which he retired in 2002. As part of that career, Ron published over 100 articles and book chapters in major research journals and wrote numerous grant applications. Thus, Ron has extensive experience in technical writing and exposition. Since retiring from science Ron has pursued a second career in photography. Ron co-published a book on Spruce Root Baskets for which he did the photography. And he has published in national photo magazines. Ron has work for several years conduction extensive research into methods for making high quality digital negatives and has printing many of his own images using these techniques.

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3 of 5 people found the following review helpful:
2.0 out of 5 stars A book for the minority of the minority, 3 Jan 2009
I hoped this book would expand on the work of Burkholder. It's subtitle strongly suggests it creates digital negatives that work with Silver prints. Not one illustration in the book is of a normal silver monochrome print. If you read the one chapter which mentions silver printing, and the problem page, it basically says the process is picky-picky, the printers have issues and one is left with the conclusion that this book is for the miniscule minority that coat their own papers with platinum and palladium. This book does not move anything further forward than the Burkholder books for those who want to make silver prints from digital files, although its explanation of the digital negative process is clearer in some respects.
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