Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing by Brad Hinkel
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Product Description
Product Description
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique.
Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Includes a new chapter on digital printing techniques
Step by step instructions for using this technique
Eight page insert containing 10 beautiful color images --This text refers to the Paperback edition.
Synopsis
Shows readers how to create beautifully tinted, mono and polychromatic gum and oil images. Step-by-step instructions, before, during and after illustrations and directions for further experimentation provide the reader with a source for teaming this new, yet old, printing technique.
See all Product Description
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique.
Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Includes a new chapter on digital printing techniques
Step by step instructions for using this technique
Eight page insert containing 10 beautiful color images --This text refers to the Paperback edition.
Synopsis
Shows readers how to create beautifully tinted, mono and polychromatic gum and oil images. Step-by-step instructions, before, during and after illustrations and directions for further experimentation provide the reader with a source for teaming this new, yet old, printing technique.
See all Product Description
Inside This Book
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Browse and search another edition of this book.
First Sentence
The term gumoil was recently coined to describe an innovative method of making polychromatic photographic prints (Koenig 1991) that was derived from an earlier, but rather grainy, method described by Wade (1978) to produce monochromatic images. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
The term gumoil was recently coined to describe an innovative method of making polychromatic photographic prints (Koenig 1991) that was derived from an earlier, but rather grainy, method described by Wade (1978) to produce monochromatic images. Read the first page
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Concordance
Browse Sample PagesConcordance
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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