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Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema by David Sonnenschein  (2)  £7.99

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Sound for Film and Television by Tomlinson Holman  (1)  £38.94

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Film Sound: Theory and Practice by B Weis  (1)  £18.53

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Book Description
Previously titled Audio Post-production in Video and Film, this third edition has been completely revised and restructured to provide a step-by-step guide to the professional techniques used to shape a soundtrack through the production process. Covering sound for both film and television, this edition includes many of the practical techniques and shortcuts used by experienced editors and mixers.

Part one explains the basics of audio post production – how audio is recorded, how sound and picture stay in sync, how audio can be exported from system to system, and how film and video technology works. Part two follows the path of production sound from its original recording right through to the final mix, and includes sections on editing sound with picture, dialogue, sound effects and music editing, how to run ADR and Foley record sessions, and mixing, using many practical examples.

Audio Post-production for Television and Film is aimed at professionals already working in the industry, newcomers, students and those considering sound for film and television as a career – in fact anyone who wants an insight into current professional practices and a comprehensive overview of the sound post-production process.

Synopsis
Previously titled "Audio Post-production in Video and Film", this third edition has been completely revised and restructured to provide a step-by-step guide to the professional techniques used to shape a soundtrack through the production process. Covering sound for both film and television, this edition includes many of the practical techniques and shortcuts used by experienced editors and mixers. Part one explains the basics of audio post production how audio is recorded, how sound and picture stay in sync, how audio can be exported from system to system, and how film and video technology works. Part two follows the path of production sound from its original recording right through to the final mix, and includes sections on editing sound with picture, dialogue, sound effects and music editing, how to run ADR and Foley record sessions, and mixing, using many practical examples.

"Audio Post Production for Television and Film" is aimed at professionals already working in the industry, newcomers, students and those considering sound for film and television as a career in fact anyone who wants an insight into current professional practices and a comprehensive overview of the sound post production process. It reflects current working practice and covers the latest topical issues. It is extensively reorganized for maximum ease of use. It is illustrated throughout and features helpful workflow diagrams.

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First Sentence
The term audio post production refers to that part of the production process which deals with the tracklaying, mixing and mastering of a soundtrack. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index

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Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema by David Sonnenschein  (2)  £7.99

Sound for Film and Television by Tomlinson Holman  (1)  £38.94

The Practical Art of Motion Picture Sound 3E by David Lewis Yewdall £23.74

Dialogue Editing for Motion Pictures: A Guide to the Invisible Art by John Purcell  (2)  £21.84

Audio-Vision : Sound on Screen by M Chion £14.73

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Most Helpful Customer Reviews   8 of 8 people found the following review helpful: Key text for industry workers and students of film and sound, 11 Nov 2005 By  Mr. Robin D. Pender "School of Media, London ... (London England) - See all my reviews    This is the book I wanted to write! There are many books out there around this subject, but this text is comprhensive AND comprehensible! It covers every area of the post production process ( and a good deal of giudance for the recording of production sound too) in exactly the amount of detail that is needed, with each technical topic supported by useful and informative technique and advice. The chapters on editing sound give many valuable pointers that will help anyone who is learniung this craft to develop a strong skills base, with really useful practical tips. There is no important technical information missing; all the standards and formats are addressed and explained in easy to read language, so that you're not left with an incomplete picture, and it's up to date with contemporary systems such as Windows XP and Mac OSX, hard disk recording and digital TV, DVD, diffusion systems for broadcast (surround) and more. So to sum up, this is a really good read, and worth having as a reference book for anyone studying or working in this field who wants to get a a good understanding of the entire process of audio post, and I would also recommend it to film makers as well, as it is a good read and will inform and enlighten. I have included it my essential reading list for students on our film and sound design courses.  Comment | Permalink | Was this review helpful to you? (Report this) › See all customer reviews...		Search Customer Reviews Only search this product's reviews