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19 of 19 people found the following review helpful:
5.0 out of 5 stars
DANCE MUSIC MANUAL, 19 Jun 2004
Well, I took a chance on this book because I knew the author had written many articles in various music-making-related magazines in the UK.I figured I was making a good bet - I was after a one-stop, A-to-Z reference (being tired of searching the net and magazine shelves). I certainly haven't been disappointed I can say! This book is crammed with over 500 pages of inspiration, revelation and education, and there's no large font tricks "stealing" space either... This book is COMPLETE! If you want to get deep into controlling sine waves, sawtooth and triangle oscillators etc... to create your own unique synth sounds, it's there! (On the CD you can hear how the author creates virtually every instrument of a drum-kit from sine waves, white and pink noise, filter cut-offs etc... cool stuff!). If you want to know how to get that phat sub bass sound, but not have it swamp everything else in the mix, it's there. If you want to know ALL about the art of mixing, it's there... down to the last frequency! The book goes on to reveal all the tricks used in creating many of the effects we hear used in todays dance tracks and tells how to achieve them. (BTW, dance music could be "misleading", it covers all the genres from Ambience, Trip Hop, Hip Hop to Techno and dissects them all) There's a passage on mixing for vinyl (records) for playing in clubs which I can't wait to use since I've fallen foul of this too when I managed to blag a DJ friend of mine into playing a track we'd done - The sound was crazy all-over-the-place. The bass was rumbling, had no definition and the higher frequencies were "washy"... deeply embarrassing, now I know why! It's not just about the studio and composing side of things though: What I also found interesting was the glimpse into the machinations of the music business world from the unusual perspective of, "the faceless man behind the desk" - Afterall, established sound engineers at this level of the industry get to see new and old, famous and non-famous bands every week. The advice given to us wannabe artists in the book therefore, it seems, comes from someone who's witnessed most extremes without needing to "suffer" (or enjoy too I suppose as well!) the fickle business of the conveyor-belt-artist-promotion treadmill we see too often today... ...what I'm saying is, if an artist had wrote this book, it would've been influenced greatly by their success, failures, contracts etc... alone. A sound engineer is in a position to see and hear of the wider business picture and it comes across in the book - Don't get me wrong, there ain't no kiss 'n tell stories here, oh no! In summary, I've only scratched the surface here. I have to think VERY hard before parting with over £20 for a book but I can honestly see this book becomming a lifetime companion (apart from the chapter looking at software and hardware which will obviously date). No more wasted hours searching the internet and archive mags, it's all here. Oh BTW, the accompanying CD has "before and after" demonstrations of the examples discussed in the book... very illuminating. Well impressed - An investment!
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