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Computer Sound Design: Synthesis techniques and programming: Synthesis, Techniques and Programming (Music Technology)
 
 
Computer Sound Design: Synthesis techniques and programming: Synthesis, Techniques and Programming (Music Technology) (Paperback)
by Eduardo Miranda (Author) "Sound results from the mechanical disturbance of some object in a physical medium such as air ..." (more)
3.5 out of 5 stars 2 customer reviews (2 customer reviews)
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Product Description
Book Description
This comprehensive introduction to software synthesis techniques and programming is intended for students, researchers, musicians, sound artists and enthusiasts in the field of music technology.

The art of sound synthesis is as important for the electronic musician as the art of orchestration is important for symphonic music composers. Those who wish to create their own virtual orchestra of electronic instruments and produce original sounds will find this book invaluable. It examines a variety of synthesis techniques and illustrates how to turn a personal computer into a powerful and flexible sound synthesiser. The book also discusses a number of ongoing developments that may play an important role in the future of electronic music making.

Previously published as Computer Sound Synthesis for the Electronic Musician, this second edition features a foreword by Jean-Claude Risset and provides new information on:

· the latest directions in digital sound representation
· advances in physical modelling techniques
· granular and pulsar synthesis
· PSOLA technique
· humanoid voice synthesis
· artificial intelligence
· evolutionary computing

The accompanying CD-ROM contains examples, complementary tutorials and a number of synthesis systems for PC and Macintosh platforms, ranging from low level synthesis programming languages to graphic front-ends for instrument and sound design. These include fully working packages, demonstration versions of commercial software and experimental programs from top research centres in Europe, North and South America.

Synopsis
This comprehensive introduction to software synthesis techniques and programming is intended for students, researchers, musicians, sound artists and enthusiasts in the field of music technology. The art of sound synthesis is as important for the electronic musician as the art of orchestration is important for symphonic music composers. Those who wish to create their own virtual orchestra of electronic instruments and produce original sounds will find this book invaluable. It examines a variety of synthesis techniques and illustrates how to turn a personal computer into a powerful and flexible sound synthesizer. The book also discusses a number of ongoing developments that may play an important role in the future of electronic music making. Previously published as "Computer Sound Synthesis for the Electronic Musician", this second edition features a foreword by Jean-Claude Risset and provides new information on: the latest directions in digital sound representation; advances in physical modeling techniques; granular and pulsar synthesis; PSOLA technique; humanoid voice synthesis; artificial intelligence; and, evolutionary computing.

The accompanying CD-ROM contains examples, complementary tutorials and a number of synthesis systems for PC and Macintosh platforms, ranging from low level synthesis programming languages to graphic front-ends for instrument and sound design. These include fully working packages, demonstration versions of commercial software and experimental programs from top research centres in Europe, North and South America. This book helps you to: increase your understanding of the major computer synthesis techniques with this accessibly written introduction; discover the latest developments and future direction of the field; and, try out a range of synthesis software for free - available on the accompanying CD-ROM.

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Sound results from the mechanical disturbance of some object in a physical medium such as air. Read the first page
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14 of 14 people found the following review helpful:
5.0 out of 5 stars Excellent book!, 19 May 2003
By Dr John Simpson (Cambridge, England) - See all my reviews
This is an excellent book and I found it ideal as a text book for sound synthesis courses. It covers a wide range of different synthesis techniques and the concepts are clearly explained with examples and useful diagrams. What I found most positive in this book is that it does not focus on any one system in particular (ie, it's not a user guide for a specific software). Rather, it surveys of a number of systems - commercial and public domain - including unusual ones for physical modelling such as Praat and CORDIS. Also there is a chapter of more advanced synthesis techniques using genetic algorithms and artificial intelligence, which makes it a nice addition to the norm. I only wished the book was longer, with more in-depth discussion on some of the many interesting examples. The CD-ROM has useful additional materials and tutorials.
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3 of 5 people found the following review helpful:
2.0 out of 5 stars Well I didn't like it., 10 Nov 2006
By Kenneth Harte (Ireland) - See all my reviews
(REAL NAME)   
I found this book to be very uneven. A quick skim through the book and it looks very informative full of diagrams and code but when you get into the book you quickly find nothing is covered in any depth at all. The diagrams are rarely useful and often they are used as a substitute for clear concise writing. The code is next to useless as it is program specific and 4/5 lines of program specific code is useless.
After reading a chapter you rarely feel like you've learned anything. Computer Music Tutorial or Sound Synthesis and Sampling are much better books. Honestly this book is a loser don't know what Dr.John's talking about.

The opening chapter is good and the chapter on Physical Modelling is OK but outside of that it's no use.
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