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The Conquest of Cool: Business Culture, Counterculture and the Rise of Hip Consumerism
 
 
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The Conquest of Cool: Business Culture, Counterculture and the Rise of Hip Consumerism (Paperback)

by T Frank (Author) "For as long as America is torn by culture wars, the 1960s will remain the historical terrain of conflict ..." (more)
3.4 out of 5 stars See all reviews (7 customer reviews)
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Product details

  • Paperback: 322 pages
  • Publisher: Chicago University Press (4 Dec 1998)
  • Language English
  • ISBN-10: 0226260127
  • ISBN-13: 978-0226260129
  • Product Dimensions: 22.6 x 14.7 x 1.8 cm
  • Average Customer Review: 3.4 out of 5 stars See all reviews (7 customer reviews)
  • Amazon.co.uk Sales Rank: 307,852 in Books (See Bestsellers in Books)

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    #80 in  Books > Society, Politics & Philosophy > Social Sciences > Communication Studies > Media & Communication Industries > Advertising

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Product Description

Product Description
An evocative symbol of the 1960s was its youth counterculture. This study reveals that the youthful revolutionaries were augmented by such unlikely allies as the advertising industry and the men's clothing business. The ad industry celebrated irrepressible youth and promoted defiance and revolt. In the 1950s, Madison Avenue deluged the country with images of junior executives, happy housewives and idealized families in tail-finned American cars. But the author of this study seeks to show how, during the "creative revolution" of the 60s, the ad industry turned savagely on the very icons it had created, using brands as signifiers of rule-breaking, defiance, difference and revolt. Even the menswear industry, formerly makers of staid, unchanging garments, ridiculed its own traditions as remnants of intolerable conformity, and discovered youth insurgency as an ideal symbol for its colourful new fashions. Thus emerged the strategy of co-opting dissident style which is so commonplace in modern hip, commercial culture. This text aims to add detail to a period in the 60s which has hitherto remained unresearched.

From the Publisher
Read an excerpt online.

THE CONQUEST OF COOL is a new take on the Sixties, a re-juggling of the icons, an overturning of the shibboleths. Tom Frank takes a sharp look at the business culture of the 1960s and its relation to the counterculture of the Sixties. Todd Gitlin called the book "a forceful and convincing demonstration of the cunning of commercialism. Advertisers knew what was hip before hippie entrepreneurs, and this story, told here with verve and lucidity, is well worth the attention of all serious readers."

PUBLISHERS WEEKLY gave the book a starred review: "bristlingly intelligent . . . adroitly illuminates the intricacies behind the familiar stories of the '60s . . . frequently brilliant."

You may read an excerpt from Chapter One at
<http://www.press.uchicago.edu/Misc/Chicago/259919.html>

Tom Frank is founder/editor of the Chicago-based journal of literature and cultural criticism, THE BAFFLER. --This text refers to an out of print or unavailable edition of this title.

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For as long as America is torn by culture wars, the 1960s will remain the historical terrain of conflict. Read the first page
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3.4 out of 5 stars (7 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
3.0 out of 5 stars An interesting look at the origins of "hip" as a sales tool., 16 April 1998
By A Customer
This review is from: The Conquest of Cool: Business Culture, Counterculture and the Rise of Hip Consumerism (Hardcover)
In "The Conquest of Cool," reporter Thomas Frank writes of the evolution in the advertising industry from the rigid science and philosophy espoused by past masters like David Ogilvy to the creative, rule-breaking, no-rules era (about 1959 to about 1970) begun by Doyle, Dane and Bernbach's revolutionary Volkswagen print ads, which were introduced in 1959. Frank's text shows how advertising's images of consumption evolved from phony promises of a better life for white, nuclear families to the hip-based brand of product cool that still exists today. Eventually, Frank gets to what this reader assumed to be his point: advertising's co-optation of counterculture's cool and the way both groups influenced each other. But he merely asserts this radical shift in advertising (truly the bellwether of contemporary culture) happened overnight and illustrates his points with examples from the cola and menswear industries. But rampant generalization doesn't spoil Frank's fascinating dissertation. He's done his homework, speaks passionately about his subject and maintains an unusual conversational approach (half academic, half deranged fan). Once the reader forgives Frank's multitude of overgeneralizations and the way he casually mixes media (in an era where distinctions became quite noticeable), there is actually a lot to consider and much to enjoy in "The Conquest of Cool." A special bonus for ad-addicts is the 19 print ads reproduced in the center of the book.
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5 of 8 people found the following review helpful:
2.0 out of 5 stars Advertising co-opted the counterculture and...?, 9 April 1999
By A Customer
Frank's work with the Baffler and the Reader has always been enlightening and entertaining. As essays for the casual reader, his writing can do a lot of eye-opening. However, I don't think he can sustain his brand of cultural criticism for a book-length work. The problem, after Frank's thesis is repeated for the umpteenth time, is you finally say "So?" I personally always wind up picturing Frank in clothes he has spun himself, living off beans he is cultivating in a backyard seed plot, entertaining himself by sneering from his garret's window at the shallow "lifestyles" of every human being on the planet (except his own). I've always disliked the hypocritical, distant stance people like Frank (whose views I happen to mostly share)adopt when they tackle these issues. The great problem is how to relate these kinds of ideas without pretensions of immunity to the dominant cultural malaise, without relentlessly stereotyping the middle class, and without the hopelessly easy targeting of lame ducks, ducks that Frank seems to consider strong and insidious. Tom Frank, what are the alternatives? Where are the solutions?
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4 of 11 people found the following review helpful:
2.0 out of 5 stars Well...I thought it was boring, 5 May 1999
By A Customer
(I read this book for a class at Yale, "The Formation of Modern American Culture: 1920 to the Present.") Frank's insights aren't that insightful and his prose is at times prosaic. Nevertheless, Frank makes the reader more aware of the culture of advertising that has enveloped us and gives us the history of how this has occurred, focusing on the 50's and 60's. He also uses the word "psychedelic" quite frequently, which may or may not amuse you. (It amused me!)
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Most Recent Customer Reviews

5.0 out of 5 stars History of the unlikely alliance between hippies and the man
The Conquest of Cool looks at the 60's counterculture revolution from the perspective of the advertising and consumer goods industry. Read more
Published 4 months ago by Gms Carroll

5.0 out of 5 stars Trival MBA BS
The advertising of the 50's sold more good & services than any previous decade. The advertising of the 60's was again a record for sales of goods and services. Read more
Published on 18 April 1999

5.0 out of 5 stars excellent history of advertising
though sometimes wordy, this analysis of the history of advertising in America in the '60s is exhaustive and engrossing. i've never read anything like it. Read more
Published on 4 Nov 1998

2.0 out of 5 stars Frank exhibits firm grasp of the obvious
Dispassionate, thinly-disguised masters thesis filled with 2-dollar words (how many times do you need to use 'hegemony'?) and soft opinions. Read more
Published on 25 Jun 1998

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