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Amazon.co.uk Review
Surely someone has already pointed out the irony of the surname Rush for a writer who can devote a long paragraph to uneven paving tiles. Mortals--the follow-up to Norman Rush's award-winning Mating--is a complex, unhurried tour de force; the beautifully rendered story of the end of a marriage. Ray and Iris Finch are white American expatriates in Botswana. A school principal and Milton scholar, Ray is also a contract agent for the CIA. But Ray's new boss doesn't want to see the gorgeous reports into which Finch has channeled all the talent and ambition that might otherwise have gone into poetry. He is asked to submit only his notes. This is clearly a demotion, and it occurs at the same moment that Ray's adored wife begins to develop feelings for her doctor, a charismatic black American with dangerous political ideas.
Like many brilliant novels, Mortals has an Achilles heel. The book is too long by as much as 200 pages. Those pages aren't without interest, and if--like the author--you find the narrative voice of this novel compelling in itself, you will not mind the lengthy anecdotes, hair-splitting, and digressions that Rush indulges in. Other readers may do a little judicious skimming in the second half of the book and still experience the pleasures of this masterful and psychologically acute novel. --Regina Marler, Amazon.com
Product Description
Norman Rush returns with his finest work to date - the long-awaited follow-up to Mating, winner of the 1991 Irish Times International Fiction Prize. Mortals constitutes the final element in Norman Rush's trilogy on the Western presence in contemporary southern Africa. Set in Botswana in the 1990s, it is a political adventure, a social comedy and a passionate love story. Mortals chronicles the misadventures of three expat Americans: a contract CIA agent, operating undercover as a teacher of Milton in a private school; his beloved but disaffected wife; and an iconoclastic black holistic physician on a personal mission to 'lift the yoke of Christian belief from Africa'. The machinations of these three entangle them with a local populist leader whose purposes are grotesquely misconstrued by the CIA. And when a violent but pathetic insurrection erupts - stoked in part by the erotic and political intrigues of the American trio - the outcome is both explosive and explosively funny. Mortals examines with wit and insight the dilemmas of power, religion, rebellion, and contending versions of liberation and love, through lives lived ardently in an unforgiving land. Botswana is indelibly Norman Rush's fictional territory, and Mortals is his most commanding work.
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