The Self-made Tapestry: Pattern Formation in Nature (Hardcover)

Amazon.co.uk Review
The patterns of nature have fascinated humans for millennia. From spirals carved into rock during Neolithic times to the sand patterns of "executive" toys, we respond to and often replicate the underlying "order" of nature. The mathematical regularity of logarithmic spiral patterns in plant growth, such as seen in the florets of sunflowers and cauliflowers, was first characterised in 1202 by the Italian, Leonardo of Pisa, nicknamed Fibonacci. Since then technological and mathematical advances have allowed us to see patterning on all scales from spiral galaxies to vortices, waves and turbulence in the atmosphere and oceans and down into the packing of atoms and Mandelbrot fractal patterns of growth in all sorts of materials. So close do the worlds of the organic and inorganic become that they can be hard to tell apart. As Philip Ball asks: "Surely we can...tell a crystal from a living creature, an insect from a rock?"

British science writer Philip Ball joins an illustrious band of scientists and writers who have been stimulated to try and make sense of all this patterning which surrounds us. He particularly follows in the footsteps of D'Arcy Wentworth Thompson, whose 1917 book On Growth and Form has been enormously influential. Generations of scientists have been inspired to look more closely at the relationships between organisms and the way they use materials for constructing their skeletons and homes from individual shells to whole cities. Equally, artists have been reminded to look again at nature, just as their Renaissance forbears, such as Leonardo Da Vinci, did. Modern architects looked again at the logarithmic spiral and the Golden Section derived from it, as did the superlative architects of classical Greece, to proportion their buildings.

Thompson's classic work is a particularly hard "act" to follow but Ball acquits himself very well. From his position as an editor at premier science journal Nature, Ball is particularly well placed to survey the enormous range of contemporary scientific investigation which reveals the extraordinary extent of nature's patterning. Using a wealth of illustration, Ball attempts to go beyond the niceties of a host of attractive examples, in order to "map many of nature's tapestries into some universal blueprints, in which the specifics cease to matter". The physics, mathematics and chemistry are well handled for the lay reader. A good bibliography, index and "home experiments" (not for the uninitiated) help those who want to explore further. After reading this book you will find yourself looking anew at cracked windows, fingerprints, dissolving coffee grains, boiling water, leaf veins... --Douglas Palmer

Review
"Philip Ball has produced a superb book about patterns in nature, The Self-Made Tapestry. From the ribbed desert sands to tree-form streaks of lightening, countless examples give rise to fascinating reflections on the astounding order that exists amid chaos. Lavishly illustrated, this is a stunning book." The Sunday Times

The latest addition to the growing body of popular literature about the scientific study of complexity explains why similar patterns recur in widely different contexts in nature - why, for example, the stripes on the skin of a tropical fish resemble the pattern of ripples on the windblown sandy surface of the desert. The most intriguing features of the natural world, including life itself, seem to exist in a state bordering on chaos, where patterns are created by the flow of energy through a system, whether an ecosystem or the rippling sand. This is one of the clearest accounts so far of a new branch of science in the making. (Kirkus UK) --This text refers to the Paperback edition.

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