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Arvo Pärt (Oxford Studies of Composers)
 
 

Arvo Pärt (Oxford Studies of Composers) (Paperback)

by Paul Hillier (Author) "ALL music emerges from silence, to which sooner or later it must return ..." (more)
5.0 out of 5 stars  See all reviews (1 customer review)
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Product details

  • Paperback: 240 pages
  • Publisher: Clarendon Press (24 April 1997)
  • Language English
  • ISBN-10: 0198166168
  • ISBN-13: 978-0198166160
  • Product Dimensions: 21.7 x 13.9 x 1.4 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 476,344 in Books (See Bestsellers in Books)
  • See Complete Table of Contents

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Product Description

Product Description

The music of the Estonian-born composer Arvo Pärt is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, Pärt created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate and tranquility of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book, the first full-length study of Pärt, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of Pärt's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years. In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to Pärt's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues.

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ALL music emerges from silence, to which sooner or later it must return. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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16 of 16 people found the following review helpful:
5.0 out of 5 stars The definitive study of Pärt, 11 May 1999
By A Customer
With the current (unjustifiable) lack of material concerning Pärt, Hillier has set out to cover as many issues as possible. There is biographical information, analytical (but accessible) studies of the principle works, and even suggestions for the way performers should approach the pieces. If there were a hundred books on Pärt, this would still be a powerful companion for anyone wishing to learn more about this composer.
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