by Witold Rybczynski
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"Rybczyniski takes a seemingly whimsical topic--the role of fashion in architecture--and lightly teases from it some discomfiting truths."--Kirkus (starred review)
"A thoughtful and thought-provoking look at how buildings reflect the desires of their age."--Boston Globe
"In his absorbing and accessible book-length essay on the relationship between fashion and building design...Rybczynski argues eloquently that, as in fashion, a building's form is molded by the tastes of its age."--One: Design Matters
Product Description
Witold Rybczynski begins his book by stating that most architects deny that they fit into any stylistic form. We cannont, however, separate Frank Lloyd Wright from his hat and cape, or Le Corbusier from his heavy round glasses. Similarly, buildings present a public face that do not always betray their function. In this essay, he takes a short tour of modern architecture and talks about what style in architecture means. Rybczynski shows how style in clothing and architecture are related, and discusses why style became a taboo subject in the 20th-century. With descriptions of particular buildings, he examines the work of brilliant architects including Mies van der Rohe, Robert Venturi, and Frank Gehry, illustrating his argument that contrary to modernist dogma, form does not follow function. Rybczynski leaves the reader with a fresh way of looking at architecture.
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"Rybczyniski takes a seemingly whimsical topic--the role of fashion in architecture--and lightly teases from it some discomfiting truths."--Kirkus (starred review)
"A thoughtful and thought-provoking look at how buildings reflect the desires of their age."--Boston Globe
"In his absorbing and accessible book-length essay on the relationship between fashion and building design...Rybczynski argues eloquently that, as in fashion, a building's form is molded by the tastes of its age."--One: Design Matters
Product Description
Witold Rybczynski begins his book by stating that most architects deny that they fit into any stylistic form. We cannont, however, separate Frank Lloyd Wright from his hat and cape, or Le Corbusier from his heavy round glasses. Similarly, buildings present a public face that do not always betray their function. In this essay, he takes a short tour of modern architecture and talks about what style in architecture means. Rybczynski shows how style in clothing and architecture are related, and discusses why style became a taboo subject in the 20th-century. With descriptions of particular buildings, he examines the work of brilliant architects including Mies van der Rohe, Robert Venturi, and Frank Gehry, illustrating his argument that contrary to modernist dogma, form does not follow function. Rybczynski leaves the reader with a fresh way of looking at architecture.
See all Product Description
Inside This Book
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First Sentence
Architecture is hard to define. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Architecture is hard to define. Read the first page
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Concordance
Browse Sample PagesConcordance
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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