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The early middle ages were an exciting period in the history of European architecture, culminating in the development of the Romanesque style. Major architectural innovations were made during this time including the medieval castle, the church spire, and the monastic cloister. By avoiding the traditional emphasis on chronological development, Roger Stalley provides a radically new approach to the subject, exploring issues and themes rather than sequences and dates. In addition to analysing the language of the Romanesque, the book examines the engineering achievements of the builders, and clearly how the great monuments of the age were designed and constructed. Ranging from Gotland to Apulia, the richness and variety of European architecture is explored in terms of the social and religious aspirations of the time. Symbolic meanings associated with architecture are also thoroughly investigated. Written with style and humour, the lively text includes many quotations from ancient sources, providing a fascinating insight into the way that medieval buildings were created, and in the process enlivening study of this period.
About the Author
Roger Stalley is Professor of the History of Art at Trinity College, Dublin. His previous books include Architecture and Sculpture in Ireland 1150-1350 (1971), The Cistercian Monasteries of Ireland (1987), Irish High Crosses (1991), and Ireland and Europe in the Middle Ages (1993). He has published over fifty articles on various aspects of medieval sculpture and architecture. He is a member of the Royal Irish Academy and an Honorary member of the
Royal Institute of Architects of Ireland.
The early middle ages were an exciting period in the history of European architecture, culminating in the development of the Romanesque style. Major architectural innovations were made during this time including the medieval castle, the church spire, and the monastic cloister. By avoiding the traditional emphasis on chronological development, Roger Stalley provides a radically new approach to the subject, exploring issues and themes rather than sequences and dates. In addition to analysing the language of the Romanesque, the book examines the engineering achievements of the builders, and clearly how the great monuments of the age were designed and constructed. Ranging from Gotland to Apulia, the richness and variety of European architecture is explored in terms of the social and religious aspirations of the time. Symbolic meanings associated with architecture are also thoroughly investigated. Written with style and humour, the lively text includes many quotations from ancient sources, providing a fascinating insight into the way that medieval buildings were created, and in the process enlivening study of this period.
About the Author
Roger Stalley is Professor of the History of Art at Trinity College, Dublin. His previous books include Architecture and Sculpture in Ireland 1150-1350 (1971), The Cistercian Monasteries of Ireland (1987), Irish High Crosses (1991), and Ireland and Europe in the Middle Ages (1993). He has published over fifty articles on various aspects of medieval sculpture and architecture. He is a member of the Royal Irish Academy and an Honorary member of the
Royal Institute of Architects of Ireland.
Inside This Book
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First Sentence
Anyone who travels through the towns of southern Europe will sooner or later encounter the word 'basilica', frequently used to describe a large Christian church, normally one belonging to the Roman Catholic faith. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Anyone who travels through the towns of southern Europe will sooner or later encounter the word 'basilica', frequently used to describe a large Christian church, normally one belonging to the Roman Catholic faith. Read the first page
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Concordance
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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