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6 of 7 people found the following review helpful:
4.0 out of 5 stars
The beginnings of 'real' homegrown American literature, 11 Mar 2003
I don't think many people will want to read this book for fun, although, as something to dip into - perhaps in the spirit of its original publication, as a periodical in monthly chunks - it could be just about amusing. Some readers may be interested in Irving as a forerunner of other American writers, or perhaps in what this book has to say about the relationship between English and American literature in the early nineteenth century. If so, you will find that this edition (Oxford World Classics) is admirably edited, with detailed and interesting notes and an illuminating introduction by Susan Manning. I would definitely recommend it to anyone studying the book as part of a literature course. The Sketch Book is an account of an apparently light tourist exploration of some aspects of Europe and America as Irving saw them. Not a travelogue in any generally accepted sense, it is, as its name suggests, more like a series of sketches. Like many Americans before and since, Irving had an ambivalent relationship with Europe and this is what makes his stories of it interesting. However, his descriptions of English customs, places and people will probably seem quaint (at best) to most readers today. In my opinion he is more interesting when he is creating some myths about his own country. This is probably why he is best known for two memorable, and very American, tales - Rip Van Winkle and The Legend of Sleepy Hollow, both of which appeared first in The Sketch Book so you can read them here. These are both truly valuable pieces of writing and well worth study. If you want a rather more fun and up to date take on the subject of an American in England, why not compare this book with Bill Bryson's Notes from a Small Island? A bit of a jump, I know, but give it a go, it made me think.
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