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If The Last Man is in some sense a conventional text of the period, it is also intensely personal in its origin; Shelley refers in her journal to the last man as her alter ego, "the last relic of a beloved race, my companions extinct before me." The Novel thus develops out of and contributes to a network of story and idea in which fantasy, allusion, convention and autobiography are densely interwoven.
This new version of the first edition (1826) sets out to provide not only a thoroughly annotated text, but also contextual materials to help the reader acquire knowledge of the intellectual and literary milieu out of which the novel emerged. Appendices include material on the last man as early nineteenth-century hero, texts from the debate initiated by Malthus in 1798 about the adequacy of food supply to sustain human population, various accounts of outbreaks of plague, and Shelleys poems representing her feelings after the death of her husband.
The Last Man reverberates particularly strongly for the late twentieth-century reader, not only because of its millennial overtones but also because of its parallels between the plague that Shelley depicts and the AIDS epidemic of our own time. Overall, it is a novel that rival's Frankenstein in the rich profusion of ideas it gives rise to in the reader.
--This text refers to the
Paperback
edition.
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