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The Aeneid (Oxford World's Classics)
 
 

The Aeneid (Oxford World's Classics) (Paperback)

by Virgil (Author), Jasper Griffin (Contributor), C. Day Lewis (Translator)
3.3 out of 5 stars  See all reviews (3 customer reviews)

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Product details

  • Paperback: 480 pages
  • Publisher: Oxford Paperbacks; New edition edition (16 Jul 1998)
  • Language English
  • ISBN-10: 019283584X
  • ISBN-13: 978-0192835840
  • Product Dimensions: 19.6 x 12.8 x 3.2 cm
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon.co.uk Sales Rank: 308,088 in Books (See Bestsellers in Books)

Product Description

Product Description

The supreme Roman epic and the greatest poem in Latin, the Aeneid has inspired many of the great European poets including Dante and Milton. The Trojan hero Aeneas, after surviving the sack of Troy, makes his way to the West, urged on by benevolent deities and following a destiny laid down by Jupiter, but harassed and impeded by the goddess Juno. He wins his way to Italy despite many trials, of which the greatest is the tragic outcome of his love affair with Dido, Queen of Carthage. In Italy Aeneas visits the world of the dead, and is forced to wage a fearful war with the indigenous Italian tribes before he can found his city and open the history of Rome. The Aeneid survives as a poem not only of Roman imperialism but also of the whole world of human passion, duty and suffering.

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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

3 Reviews
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Average Customer Review
3.3 out of 5 stars (3 customer reviews)
 
 
 
 
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73 of 81 people found the following review helpful:
5.0 out of 5 stars Virgil's Aeneid: A Forbidden Masterpiece, 23 Jan 2002
This translation of Virgil's masterpiece is the perfect choice for a reader who wishes to experience the original form of this Augustine work of art. It is written in easy flowing and accessible blank verse, unlike the rather cloggy and unattractive prose translations. After all The Aeneid was written to be read as an epic poem: not the post Renaissance format of a novel, and Lewis's translation is as close to capturing the originally intended delivery as you can get without the lengthy process of learning Latin.

This classic epic poem was commissioned by Augustus Caesar in 31BC, a task which was reluctantly accepted by Virgil. Ten years of writing followed, and unfortunately the poet died, by contracting a disease, whilst returning from a trip to Athens. The epic was not fully revised by then, yet the contents of all twelve books are complete except for a rather abrupt ending.

However, just before his death Virgil left strict instructions for The Aeneid to be burnt: lost to the world for all time. Yet this command was counteracted by Caesar. Why was this? Why didn't Virgil want the greatest poem in Latin to be discovered for its prominence?
These are questions which will truly interest any reader. When you hold this book in your hands you cannot help thinking that Virgil did not want you to read this - if it had not been for the Imperial arm of Caesar we would be forever lacking this great Latin work. Thus a guilty feeling pervades when reading The Aeneid, moreover, those of you already well versed in Greek mythology will know that Actaeon paid very highly for his antlers, a lesson hard to forget whilst perusing forbidden splendour.

When commissioned to write an epic with the sole purpose of portraying an almighty Augustus in 31 BC it is difficult to capture the magic of the Homeric sagas. To have the inclusion of gods and mystical powers in ordered Roman society would have been simply laughed at.

Therefore Virgil chose the legendary founder of Rome - Aeneas of Troy - as the protagonist of his epic. This poem documents the various adventures of Aphrodite's son: whose quest is to find his destined homeland - Italy. Jupiter has ordained that Aeneas's ancestors will become the great masters of Rome, and it is here that Virgil can cleverly celebrate Augustus's magnificent achievements.

But what is the underlying meaning to Virgil's epic? What you can witness in The Aeneid is Homer's similar appreciation of acts of bravery; yet what you will observe for the first time is the dreadful price that Imperialism exacts. Aeneas is forced to reject his passionate love, experience the death of his father, and kill the noble sons of people he is destined to rule.

Therefore a fundamental enigma in Virgil's work must be to endeavour whether this is a work that supports Imperialism or refutes it. Did Virgil advocate Augustus's omnipotence? If yes, why did the poet wish the epic to be destroyed? The price of blood for the fellowship of freedom is one continual theme that pervades not only archaic history, but also that of the modern day; and in Virgil's masterpiece it is portrayed no less effectively than in all great works of literature.

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3 of 3 people found the following review helpful:
4.0 out of 5 stars The Aeneid, 4 Jun 2006
By B. Davison "donutboy2k" (Glasgow, Scotland) - See all my reviews
(REAL NAME)   
The previous reviewer seems to have covered the plot of The Aeneid better than I could, so I just want to encourage people that this book - this translation - is not the impenetrable mumbo jumbo you might expect from such a top-class institution as Oxford. On the contrary, Aeneas' adventures are made very readable by C. Day Lewis and you don't have to have a thorough knowledge of the mythology of the ancient world to enjoy this book. It's era-defining literature with plenty of brutal bloodshed, all in an easy-to-read package!
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2 of 3 people found the following review helpful:
1.0 out of 5 stars The Carthaginian Rose - the failure of Search Inside, 11 Jul 2008
By Joyeuse (Devon) - See all my reviews
Search inside is a great idea if it's put on the site with a little intelligence. Not the case here! All one get's is the introduction - not a flavour of the translation which is surely what any prospective reader needs. So the lack of stars is for Amazon not this translation which may or may not be good - how are we to know?
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