Most Helpful Customer Reviews
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Rich, subtle and humanistic , 29 Oct 2007
K Mansfield is an author that I really love and admire. I studied her writings at university, and rediscovered her "Selected Stories" recently with great pleasure and awe. Her style is fantastic ; her short stories focus on the characters' inner states and her depiction of human psychology is so accurate, rich and subtle. My favourites stories are Bliss, Prelude, At the Bay, the Garden Party, Mr and Mrs Dove,... The poignant "Life of Ma Parker" as well as the human cruelty depicted in "Ms Brill" will make your heart bleed. An author highly recommended.
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12 of 13 people found the following review helpful:
4.0 out of 5 stars
Elegantly crafted stories which capture the imagination, 19 Sep 2001
By A Customer
With her abundant usage of simile and metaphor, her sensibility and her presentation of the senses, colour, shape and aesthetic and moral perception, the indescribable style of Katherine Mansfield is present within this collection of short stories. Taken from Bliss (1920), The Garden Party (1922), The Dove's Nest (1923) and Something Childish (1924), these stories are set in many places and at many times, being linked together by Mansfield's delight in beauty and the essence of life, and her slight disgust at the crude and the ugly. Mansfield's ability to create such acute pictures within the reader's mind, to veritably sweep the reader into the narrative with her descriptive language, can only be achieved through her masterful skill of crafting language. This collection is wonderful - if you have ever felt slightly disconnected from the world around you, that you have thoughts which others do not, then this collection is for you - relish the similies, melt into the metaphors and let Mansfield take you on her magic carpet ride.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
highly recommended, 4 Feb 2007
Katherine Mansfield's quietly devastating prose and absolute commitment to craft remain two of the most potent twentieth century contributions to the difficult genre of the short story. This well-chosen selection demonstrates why.
Rich in colour, atmosphere and poetry, these tales most frequently turn on questions of loss and self-realization. Mansfield often takes as her subjects the resonant emptiness of lives framed by the tightest of parameters - a lonely woman's complete attachment and identification with her canary, a man's dependence on the memory of his dead son - and times where cherished certainties fall away in moments of revelation.
Perhaps the most famous of the latter type is 'Bliss' where the abrupt emptying of juvenile hostess Bertha Mason's boundless, yet ultimately restricting, exhiliration comes as an ambiguous opportunity for both delayed misery and growth. Elsewhere, tiny phrases in conversation unravel inescapable disparities in relationships; the complex emotional tensions of Mansfield's characters lie, as in Chekhov, primarily beneath the glittering surface of her clipped and confident style.
Intricately crafted, the nuanced dimensions of these stories haunt the reader, echoing in your mind long after you've put the book down. I find them compulsively re-readable.
This selection contains all of Mansfield's most famous tales including 'Bliss', 'The Canary', 'The Fly', 'The Daughters of the Late Colonel', 'A Dill Pickle', 'A Cup of Tea' and a recently available, unedited version of 'Je Ne Parle Pas Francais' which restores the full depth of its narrator's deliciously depraved senses of self and sensuality. A must-read.
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