Amazon.co.uk Review
Geraldine Brooks's
Year of Wonders describes the 17th-century plague that is carried from London to a small Derbyshire village by an itinerant tailor. As villagers begin, one by one, to die, the rest face a choice. Do they flee their village in the hope of outrunning the plague or do they stay? The lord of the manor and his family pack and leave. The rector, Michael Mompellion, argues forcefully that the villagers should stay put, isolate themselves from neighbouring towns and villages and prevent the contagion from spreading. His oratory wins the day and the village turns in on itself. Cocooned from the outside world and ravaged by the disease, its inhabitants struggle to retain their humanity in the face of the disaster. The narrator, a young widow called Anna Frith, is one of the few who succeeds. Together with Mompellion and his wife Elinor, she tends the dying and battles to prevent her fellow villagers from descending into drink, violence and superstition. All is complicated by the intense, unacknowledgeable feelings she develops for both the rector and his wife.
Year of Wonderssometimes seems anachronistic as historical fiction. Anna and Mompellion can occasionally appear to be modern sensibilities unaccountably transferred to 17th-century Derbyshire. However there is no mistaking the power of Brooks's imagination or the skill with which she constructs her story of ordinary people struggling to cope with extraordinary circumstances.--
Nick Rennison
--This text refers to the
Paperback
edition.
Review
Praise for Foreign Correspondence: 'An evocative, superbly written tale of a woman's journey to self-understanding.' Kirkus Reviews
A Year of Wonder may seem a strange title for a book set in the plague year of 1666; but it was the poet Dryden's phrase, and Brooks has selected it for the most touching and intelligent historical novel to come my way lately. Her novel is set in the Derbyshire village of Eyam, and (since I was born in Derbyshire) she is telling a story I have grown up with : a story of a whole villages heroism, which is still commemorated today. When the plague came to Eyam - brought, some people thought, in a bolt of cloth from London - the villagers made the extraordinary decision to put themselves into quarantine, to try to prevent the spread of the infection to their neighbours. Two-thirds of them died, and the small mining and farming community was devastated. The leader of the villagers was the rector of the parish church, William Mompesson. He and his wife Catherine had two children, whom they said sent away before the quarantine was declared. Catherine herself stayed to help the villagers and the plague killed her. In a letter written after his death, the rector mentioned the support given him by his maid - a nameless woman who has vanished from history. Brooks has taken her as the central character of an immensely moving story, which does not spare her readers' feelings. She is an American, a former Middle East correspondent for the Wall Street Journal, and well used to the world's trouble spots; she was looking for peace in Derbyshire's beautiful countryside when she stumbled upon the story of the plague in Eyam, and has recreated those ghastly times in a way that rings absolutely true. Not everyone in Eyam was a hero, as she shows; but in the end, in this harrowing story, love drives out fear. And how does she write? Not like a journalist, but like a poet. Review by: HILARY MANTEL. (Kirkus UK)
Painstaking re-creation of 17th-century England, swallowed by over-the-top melodramatics: a wildly uneven first novel by an Australian-born journalist. The "Year "of the title is 1665: the date of the devastating bubonic epidemic chronicled in Daniel Defoe's "A Journal of the Plague Year". Brooks's tale, framed by reveries set a year and a half after the plague burns itself out (in "Leaf-Fall, 1666"), is narrated by Anna Frith, an earnest and highly intelligent young widow who buries her own multiple bereavements (first her gentle husband, later their two small sons) in work, aiding her (unnamed) village rector's wife in treating the sick with medicinal herbs and traditional cures. Brooks is at her best in lyrical, precise descriptions of country landscapes and village customs, and makes something very appealing and (initially) quite credible out of Anna's wary hunger for learning and innate charitable kindness. But the novel goes awry when the panic of contagion isolates her village from neighboring hamlets, a forthright young woman and her distracted aunt are accused of witchcraft and hunted down, and Anna's drunken, violent father, who profits as a gravedigger for hire, resorts to "providing "corpses that will require his services. The excesses continue, as Anna's stepmother, crazed with grief, seeks vengeance against rector Michael Mompellion and his saintly wife (and Anna's mentor and soulmate) Elinor, and rise to a feverish pitch when Anna, having found a new innocent victim to nurture and raise, offends the powerful Bradford family and must flee to safety-ending up (in a borderline-risible Epilogue) in North Africa in the sanctuary of a kindly "Bey's" harem. It's all more than a bit much: Thomas Hardy crossed with Erskine Caldwell, with more than a whiff of "Jane Eyre "in Anna's conflicted devotion to the brooding, Mr. Rochester-like Mompellion. In between the more hysterical moments, Brooks writes quite beautifully. But "Year of Wonders "was a mistake. (Kirkus Reviews)
--This text refers to an out of print or unavailable edition of this title.
See all Product Description