The Trial (Penguin Modern Classics) (Paperback)

If this sounds confusing... (well) it is. Kafka keeps large chunks of the plot a secret for as long as he can, making the reader work all the more to decipher the clues that he weaves between the arcane descriptions and densely layered symbolism that is injected into every sentence that we read. Never at any point in time does Kafka allow us to gain more information than K. instead making us work just as hard to find out what is going on in this diabolical world of autocracy and mistrust. Anyone who has seen Orson Welles’ adaptation of the book (or for that matter, Terry Gilliam’s cult classic Brazil) will have a visual template for the kind of world that the writer suggest through his use of words and the imagery they create.

The narrative is purposely multi-layered and features moments of both horror and tension, but also has a strong streak of darkly comic absurdity and the kind of social surrealism that people like Buńuel and Greenaway do so well... whilst the references to detective fiction and the mystery genre is general, are the aspects that made me want to take this out of the library in the first place. Kafka’s work is very demanding, so don’t be surprised if it takes you a couple of attempts to really relax into the mood and intent of the story. However, once you finish this book, you’ll understand why so many people proclaim it a pinnacle of literary genius, and you will certainly be glad that you took the time to experience it.

Throughout the book, we are never told exactly what K. is on trial for, and for a good reason too, Kafka was a brilliant writer. K. wakes one morning and is arrested for an unknown crime, but never actually convicted or placed on trial using the real sense of the word, by that I mean Judge and Jury etc. but ordered to report to a court every so often. This ordeal seems to prove impossible and we soon discover that his trip appears ludicrous, and as the book develops, we start to realise that the trial for K. has turned into a hellish nightmare of dead ends and wild characters.

K.’s frustration and paranoia is something, which, Kafka exploits to outstanding effect, in this humorous, satirical tale of one man struggling against matters, which have already been decided.

Kafka's writing style is extremely effortless, which makes reading this book even more enjoyable, you are not tied down to long descriptive passages, but descriptions of places are perfected enough to envisage the atmosphere and the surroundings. I would recommend this book to anyone who has never read any Kafka before, because although slightly more complex than Metamorphosis, it still remains an excellent book, which allows you to appreciate the author to a great degree. It also persuaded me to go out and read more books by Frank Kafka, a truly excellent modern classic.

The bewildering downward spiral of Joseph K is one of the true masterpieces of world literature. Arrested for a crime which he can never discover and in a court of which he has no prior knowledge, K's only outlet is meaningless snatches of affection with random women who continually let him down. The most damning aspect of the entire tale is that the courts themselves are everywhere. They reside in the attics of the tenements of the drab city in which he suffers from the bizarre circumstances out of his control. K's bemusement is relayed to the reader through numerous sotte voce moments which see him struggling to pretend that he does actually hold some influence over his own life.

Try not to begin reading this novel with too many preconceived notions of what a novel should be. This is not a Victorian morality tale where at the end of the tale the main protaganists get either their rewards or their just desserts. Life itself rarely follows such linear progression, and The Trial doesn't either.

A must read book for any wishing to term themselves as any kind of book lover. Awesome and haunting.