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During his decades of world fame as a novelist, Tolstoy also wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These works culminated in What is Art?, published in 1898. Impassioned and iconoclastic, this powerfully influential work both criticizes the elitist nature of art in nineteenth-century Western society, and rejects the idea that its sole purpose should be the creation of beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire and Wagner are all vigorously condemned, as Tolstoy explores what he believes to be the spiritual role of the artist - arguing that true art must work with religion and science as a force for the advancement of mankind.
About the Author
Count Leo Nikolayevich Tolstoy was born in 1828 and educated privately. He studied Oriental languages and Law at the University of Kazan, then led a life of pleasure until he joined an artillery regiment in the Caucasus in 1851. He served during the Crimean War and after the defence of Sebastopol wrote The Sebastopol Sketches, which established his reputation. He continued to write while developing educational projects, writing War and Peace and Anna Karenina between 1865 and 1876. A Confession marked an outward change in his life and works: he became an extreme rationalist and moralist, and his theories led to his excommunication from the Russian Holy Synod in 1901. He died in 1910. Richard Pevear has published translations of Alain, Yves Bonnefoy and Alberto Savinio, as well as two books of poetry. He and his wife, Larissa Volokhonsky, have translated works by Pavel Florensky, Fyodor Dostoyevsky and Nikolai Gogol, among others. Their translation of The Brothers Karamazov received the PEN translation award in 1991. They live in France.
During his decades of world fame as a novelist, Tolstoy also wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These works culminated in What is Art?, published in 1898. Impassioned and iconoclastic, this powerfully influential work both criticizes the elitist nature of art in nineteenth-century Western society, and rejects the idea that its sole purpose should be the creation of beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire and Wagner are all vigorously condemned, as Tolstoy explores what he believes to be the spiritual role of the artist - arguing that true art must work with religion and science as a force for the advancement of mankind.
About the Author
Count Leo Nikolayevich Tolstoy was born in 1828 and educated privately. He studied Oriental languages and Law at the University of Kazan, then led a life of pleasure until he joined an artillery regiment in the Caucasus in 1851. He served during the Crimean War and after the defence of Sebastopol wrote The Sebastopol Sketches, which established his reputation. He continued to write while developing educational projects, writing War and Peace and Anna Karenina between 1865 and 1876. A Confession marked an outward change in his life and works: he became an extreme rationalist and moralist, and his theories led to his excommunication from the Russian Holy Synod in 1901. He died in 1910. Richard Pevear has published translations of Alain, Yves Bonnefoy and Alberto Savinio, as well as two books of poetry. He and his wife, Larissa Volokhonsky, have translated works by Pavel Florensky, Fyodor Dostoyevsky and Nikolai Gogol, among others. Their translation of The Brothers Karamazov received the PEN translation award in 1991. They live in France.
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First Sentence
Pick up any newspaper of our time, and in every one of them you will find a section on theatre and music; in almost every issue you will find a description of some exhibition or other, or of some particular painting, and in every one you will find reports on newly appearing books of an artistic nature - poetry, stories, novels. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
Pick up any newspaper of our time, and in every one of them you will find a section on theatre and music; in almost every issue you will find a description of some exhibition or other, or of some particular painting, and in every one you will find reports on newly appearing books of an artistic nature - poetry, stories, novels. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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