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The Guerrilla Girls' Bedside Companion
 
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The Guerrilla Girls' Bedside Companion (Paperback)

by Guerrilla Girls (Author)
5.0 out of 5 stars  See all reviews (1 customer review)
RRP: £14.50
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Frequently Bought Together

Customers buy this book with Bitches, Bimbos, and Ballbreakers: The Guerrilla Girls' Illustrated Guide to Female Stereotypes by Guerrilla Girls

The Guerrilla Girls' Bedside Companion + Bitches, Bimbos, and Ballbreakers: The Guerrilla Girls' Illustrated Guide to Female Stereotypes
Price For Both: £24.35

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Product details

  • Paperback: 96 pages
  • Publisher: Penguin Books Australia (Feb 1998)
  • Language English
  • ISBN-10: 014025997X
  • ISBN-13: 978-0140259971
  • Product Dimensions: 24.8 x 19.8 x 0.6 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 116,519 in Books (See Bestsellers in Books)

    Popular in this category:

    #48 in  Books > Art, Architecture & Photography > Women & Art

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Product Description

Synopsis

Taking you back through the ages, The Guerri lla Girls demonstrate how males have dominated the art scene and discouraged or obscured women''s involvement. Their scep tical and hilarious interpretaions are augmented by other fe minists. '


From the Author

Masked Feminist Avengers take on the history of art.
We’re an anonymous group of artists and art professionals formed in 1984 to expose racism, sexism and homophobia in the art world. We put provocative posters on the streets of New York and supporters copied and passed them all over. We became underground feminist heroes..... masked avengers like Robin Hood, The Lone Ranger and Wonder Woman. We staged protests, gave lectures and interviews, designed magazine spreads and finally wrote a memoir, Confessions of the Guerrilla Girls. It’s our account of 10 years of Guerrilla warfare with galleries, museums, art mags and auction houses. We discovered humor is a serious weapon against injustice and we became humorists and writers by default. Our numbers have grown, our identities remain secret. We have no hierarchy and work by consensus. Sure, we fight and whine a lot and then agree to disagree when we hit impasses. Each GG has projects she loves and ones she can’t stand. After Confessions, we got this grandiose idea to rewrite western art history, telling the stories of all the great women artists who got left out. The deeper we dug , the more fascinating material we found: women who had to join convents to get a life, who cross dressed to work in public, who had to go far from home to do as they pleased. Female artists have led incredible lives and nobody knows about them! We tell their stories as ammunition for all girls who have the itch to become artists. Every year we make dozens of appearances at colleges, universities and art schools to tell our story and incite activism. Our web site at guerrillagirls@voyagerco.com is where we reveal our adventures, show our latest actions, publish hate mail and hear from our friends and foes via (f)e-mail. While we love the mess of wallpaper glue and late-night sniping (slang for illegal postering), our web site takes us to places unimaginable when we started. Our dream is to launch an estrogen bomb into cyberspace and strike fear and terror in the hearts of misogynists and sexists everywhere. Join us!

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5 of 5 people found the following review helpful:
5.0 out of 5 stars A funny and informative revision of traditional art history, 21 Jan 1999
By A Customer
The Guerrilla Girls' Bedside companion to the History of Western Art succeeds on several levels. First of all, it works on a visual level, with graphics that draw you in immediately. But after you are drawn in, one is equally impressed by the text, which is simultaneously informative and humorous. Between the David Letterman-like top 10 lists, the cartoons, and the collages, one is constantly entertained while simultaneously becoming outraged by outdated, demeaning quotes about women from well-known men. At the same time, one learns a lot about some female artists that have been ignored during our art history studies, and one sees a different perspective on some more famous female artists that were mentioned but treated with less admiration than they probably deserved.

All in all, this book succeeds as an extension of the Guerrilla Girls performance art, reaching out to those of us who couldn't go to a New York opening and see it crashed by these women in Gorilla masks. Hopefully soon, partially thanks to books like this, more people will wonder why most of the nudes in museums are women, while so few of the artists represented in these museums are of that same gender.

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