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Chance: A Tale in Two Parts (Twentieth Century Classics)
 
 
Chance: A Tale in Two Parts (Twentieth Century Classics) (Paperback)
by Joseph Conrad (Author)
3.3 out of 5 stars  (3 customer reviews)
RRP: £10.99
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Product details
  • Paperback: 368 pages
  • Publisher: Penguin Classics; New Ed edition (25 Jun 1992)
  • Language English
  • ISBN-10: 0140186549
  • ISBN-13: 978-0140186543
  • Product Dimensions: 17.8 x 10.7 x 2.5 cm
  • Average Customer Review: 3.3 out of 5 stars  (3 customer reviews)
  • Amazon.co.uk Sales Rank: 645,699 in Books (See Bestsellers in Books)

    Popular in this category:

    #92 in  Books > Fiction > 20th Century Classics > Conrad, Joseph

    (Publishers and authors: Improve Your Sales)
  • Other Editions: Hardcover  |  Paperback (Rev Ed) |  Mass Market Paperback  |  Paperback (Large Print) |  Leather Bound (Import) |  Unknown Binding (22nd ed) |  All Editions


Product Description
Book Description
Chance was Conrad's first commercial success after nearly twenty years as a writer, and his first novel to have a happy ending. It tells the story of Flora de Barral, the abandoned daughter of a bankrupt tycoon, and her long struggle to find happiness and dignity. --This text refers to an out of print or unavailable edition of this title.

Synopsis
It is a mighty force that of mere chance, absolutely irresistible yet manifesting itself often in delicate forms such for instance as the charm, true or illusory, of a human being. In "Flora de Barral", the slender, dreamy, morbidly charming daughter of a parvenu financier, Conrad creates his most complex heroine and one of his most unrelenting, but not unhopeful, novels of emotional isolation. Neglected by her bankrupt father and rejected by her governess, drifting into abstraction and despair, Flora takes refuge at sea on Captain Anthony's ship, where tragedy and her transformation begin. When published in 1913, "Chance" was an immediate success. Arnold Bennett wrote that 'this is a discouraging book for a writer because he damn well knows he can't write as well as this'; while an anonymous reviewer in Punch declared that 'the whole thing is much nearer wizardry than workmanship'.

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