Most Helpful Customer Reviews
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Best Book of the Century, 28 April 2001
This is, quite simply, the best book written in the twentieth century. Chesterton's idiosyncratic, poetic, colourful, often bizarre, writing style; his strong imagination, with its visions of invisible men, secret gardens, false prophets, dream-like islands; the brilliant solutions to his highly original mysteries; the religious allegory; the memorable dialogue and paradox; the character of the little priest from Essex... Mind-shattering.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
How do you connect farce and religion?, 18 Aug 2000
By A Customer
The Father Brown stories are great. They make absolutely no sense, pyschological, realist or in terms of the solutions to the crimes, but are so engagingly written, with such transparent 'goodness' in the moonfaced priest himself, that they remain even now memorable allegories for everyday life. Often they hit the level of high farce in their absolute refusal to take themselves seriously: except, that is, in the very real way they touch on ethical, moral and religious dilemmas at times.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Innocent Father Brown, 21 Feb 2007
Father Brown is first introduced to readers as a kindly, clumsy little priest who prattles naively about the valuables he's toting, and keeps dropping his umbrella.
But appearances, G.K. Chesterton reminds us, are deceptive. "The Innocence of Father Brown" is the first collection of stories about the kindly, eccentric detective who has an uncanny cleverness that nobody guesses. Chesterton wraps each story in his warm, sometimes entrancing writing and a very odd assortment of crimes.
The first story opens with French detective Valentin on the hunt for the great thief Flambeau, and along the way encounters a little priest who is telling people about his "silver with blue stones." Turns out that the little priest is the target of Flambeau's crime, and the priceless sapphire cross he's carrying is about to be stolen -- but Valentin discovers that Father Brown is a lot cleverer than he seems.
In the stories that follow, Father Brown is involved in a series of strange crimes -- a cold-blooded beheading from religious bigotry, "a cheery cosy English middle-class crime" for Christmas, an Italian prince's invitation ends with revenge, a mysterious fall, a murderer in the open that nobody sees, precious gems, headless skeletons, and a suicide note that reads: "I die by my own hand; yet I die murdered!"
Chesterton's mysteries are often ignored next to Agatha Christie and Arthur Conan Doyle, which is odd when you consider his uncanny knack for making mysteries that are simple, yet incredibly hard to figure out. And each mystery is accompanied by little insights into human nature -- such as the one man whom you could see going to a crime scene, but wouldn't notice.
The mysteries are usually written very casually and a little humorously, but with an oblique wall of clues that don't make sense until Father Brown reveals the motives. And Chesterton's crowning achievement is a writing style is absolutely exquisite ("Between the silver ribbon of morning and the green glittering ribbon of sea"), something that not many mysteries have.
Three characters are really important here: little gnomish Father Brown, whose innocuous appearance hides a shrewd knowledge of crime and evil. There's Flambeau, a master thief who is impressed by Brown's intelligence and understanding, and the rabidly bigoted French detective Valentin, whose dislike of Brown takes an unexpected turn early in the book.
"The Innocence of Father Brown" is a solid little collection of Chesterton's detective stories, starring one of the least likely detectives you could pick. Definitely a good read for mystery buffs.
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