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Psalm at Journey's End
 
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Psalm at Journey's End (Paperback)

by Erik Hansen (Author), Joan Tate (Translator)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Paperback: 192 pages
  • Publisher: Minerva; New edition edition (2 April 1998)
  • Language English
  • ISBN-10: 0099268256
  • ISBN-13: 978-0099268253
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 684,776 in Books (See Bestsellers in Books)

Product Description

Product Description

On April 10 1912, seven musicians board the "Titanic" to play on the maiden voyage of the world's largest passenger ship. During their five final days, their life stories unfold, each musician embodying a part of the mosaic that is Europe on the edge of the century.

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2 Reviews
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
4.0 out of 5 stars "There is nothing so miserable as a captain without a ship.", 10 Nov 2002
By Mary Whipple (New England) - See all my reviews
(TOP 10 REVIEWER)   
Exploring the inner lives and conflicts of three main characters, each of whom is a member of the band during the Titanic's maiden voyage, Fosnes Hansen recreates the unstable and dismal world each man inhabits at the dawn of World War I. Jason Coward is bandmaster, Leo Lewenhaupt, known as Spot Hauptmann, is the pianist, and young David Bleierstein is a violinist. Together with two lesser developed characters, Alex from St. Petersburg, and Petronius from Rome, they raise the big questions of how we become who we are, how much freedom we have to make choices in our lives, and to what extent we can control our destinies.

Each of these characters is in some way a captain without a ship. As Fosnes Hansen brings them alive through the poignant and often harrowing tales of their youth, including the death of their dreams and the sorrows which have led them to the Titanic, we see them as ordinary people whose lives might have been completely different if just one or two circumstances had changed. Lonely and self-destructive, all have found love to be illusory and a stable and loving family life to be impossible. In the consummate irony, the Titanic may offer hope, for "A ship is a star...a star of dreams."

A writer of great intensity, Fosnes Hansen's portrayals of his characters are simultaneously gripping and sympathetic, his stories and anecdotes realistic and moving. Not given to flights of lyricism, the author creates his images through his selection of perfect details and by providing access to the vibrant inner lives of the characters. Revealing the Titanic as a microcosm of life in 1914, the author also offers many symbolic scenes--rat fights, the execution of beloved pets, puppet shows, for example--which broaden the reader's perspective on the characters and their times. Though the ending fizzles with the sinking of the ship, the novel is startling, not only in its own right, but because it so clearly foreshadows the author's later novel, Tales of Protection, a novel which is more fully developed thematically and which soars! Mary Whipple

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1 of 1 people found the following review helpful:
4.0 out of 5 stars An Unexpected Departure, 12 Jul 2002
This review is from: Psalm at Journey's End (Paperback)
Hansen's book does not conform to the majority of fictional writing on the Titanic - bombastic romance and thrill-seekers will be disappointed with the more cerebral tone of his novel - but that makes it all the better. His exploration of belle epoque Europe using the fictional musicians of the Titanic's band is enchanting and exciting. His narrative ranges from slow, melancholy prose to the vivid excitement of young love, and Tate's translation plays a large role in maintaining this dynamism. The selling point of the book is its dalliance with the perenially popular subject of the Titanic, but the ship itself is almost reduced to a walk on part in this book. This makes the novel even more interesting as it stands in marked juxtaposition to almost all other books (fictional or not) involving the Titanic. For a student of culture, this book enriches our understanding of the phenomenological processes of memory and history - two themes which are stongly percussive throughout - and the memory and history in question is not just that of the characters, it is of the reader as well. This book, taken in conjunction with the recent bibliographic highlights of the Titanic, will help us to answer why the disaster remains so ubiquitous in today's culture.
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