See buying choices for this item to see if it's one of the millions that are eligible for Amazon Prime.

18 used & new from £0.89

Have one to sell? Sell yours here
 
   
Interface Culture
 
 

Interface Culture (Hardcover)

by Steven Johnson (Author) "In the fall of 1968 an unprepossessing middle-aged man named Doug Engelbart stood before a motley crowd of mathematicians ..." (more)
4.1 out of 5 stars See all reviews (16 customer reviews)

Available from these sellers.


4 new from £10.10 14 used from £0.89
Other Editions: RRP: Our Price: Other Offers:
Paperback (New edition) 12 used & new from £1.79

Customers Who Bought This Item Also Bought

Everything Bad is Good for You: How Popular Culture is Making Us Smarter

Everything Bad is Good for You: How Popular Culture is Making Us Smarter

by Steven Johnson
3.9 out of 5 stars (10)  £6.99
Convergence Culture: Where Old and New Media Collide

Convergence Culture: Where Old and New Media Collide

by Henry Jenkins
5.0 out of 5 stars (2)  £13.29
Mind Wide Open: Why You Are What You Think (Penguin Press Science)

Mind Wide Open: Why You Are What You Think (Penguin Press Science)

by Steven Johnson
5.0 out of 5 stars (2)  £7.69
New Media: A Critical Introduction

New Media: A Critical Introduction

by Martin Lister
£20.89
Nudge: Improving Decisions About Health, Wealth and Happiness

Nudge: Improving Decisions About Health, Wealth and Happiness

by Richard H Thaler
3.7 out of 5 stars (13)  £5.87
Explore similar items

Product details

  • Hardcover: 272 pages
  • Publisher: HarperSanFrancisco; 1st Edition. edition (25 Jun 1997)
  • Language English
  • ISBN-10: 0062514822
  • ISBN-13: 978-0062514820
  • Product Dimensions: 21.1 x 14.7 x 2.5 cm
  • Average Customer Review: 4.1 out of 5 stars See all reviews (16 customer reviews)
  • Amazon.co.uk Sales Rank: 962,960 in Books (See Bestsellers in Books)
  • See Complete Table of Contents

Customers Viewing This Page May Be Interested in These Sponsored Links

  (What is this?)
Power Curve Tracer / ATE
   www.scitest.com    Scientific Test, Inc. 50-1200A/2KV/ATE/Discrete Tester 
InterfaceFLOR (Interface)
   www.interfaceflor.co.uk/    The World's Largest Manufacturer Of Modular Flooring And Carpet Tiles 
  
 

Product Description

Amazon.co.uk Review
Steven Johnson turns the tables on the way we consider our computer interfaces. While many discussions focus on how interfaces help us work by adapting to our ways of thinking and our real-world metaphors, Johnson jumps from there to look at how our thinking and world view are altered by our computer interfaces.

He begins with the simple: the mouse improved the spatial nature of our computers by letting us move, by the proxy of our pointers, within the screen. The windows metaphor made cyberspace a 3-D space. And while we tend to think about the graphical nature of interfaces, Johnson also explores the textual side and how it has changed the way we work with the written word.

Interface Culture then goes on to show how, with each advance in technology, the interface shapes our perceptions in new ways. Where mice and windows turned the computing world into cyberspace, agents have created a perception of software as personality. On the larger scale, Johnson sees these tools, originally built on non-cyber metaphors, as creating, in their turn, a new set of metaphors for looking at the rest of the world. And while he finds it exciting, he spends considerable time on such shortcomings in our approach to interfacing: what he considers the excessive emphasis on graphics elements at the cost of anything textual. Johnson, who is the editor of the cerebral Feed Web site and whom Newsweek called one of the most influential people in cyberspace, has written an intelligent book about interface design, its relationship to the real world, and how it affects our perception of worlds both cyber and physical.

Review
"One of the web's intellectual heavyweights."-- "The Washington Post"A must-read for avid web browsers."-- "USA Today

See all Product Description


Inside This Book (Learn More)
Browse and search another edition of this book.
First Sentence
In the fall of 1968 an unprepossessing middle-aged man named Doug Engelbart stood before a motley crowd of mathematicians. Read the first page
Explore More
Concordance
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Search inside this book:

Tag this product

 (What's this?)
Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organize and find favorite items.
Your tags: Add your first tag
 

What Do Customers Ultimately Buy After Viewing This Item?


 

Customer Reviews

16 Reviews
5 star:
 (7)
4 star:
 (4)
3 star:
 (4)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (16 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most Helpful Customer Reviews

 
3 of 3 people found the following review helpful:
4.0 out of 5 stars theoretically brilliant: the practice falls short, 30 April 1999
By A Customer
Johnson's book, Interface Culture, is about the growing culture of the interface, the way we interact with the world around us. It is based on the nearly invisible premise that we interface with much of the world, and have been for most of our time on this planet. I found this immediately intriguing because some f the hardest things to observe are the interfaces that we sue to connect and interact with the world. Johnson frames his discussion of interface with the elements of computer interface; the desktop, windows, links, text, and agents, all common to those people coming from a computer literate society.

Where Johnson really shines (and I admit a personal bias for the topic) is in his discussion about hypertext and the poor job that silicon valley has done in really pushing it to the limits of it possibility. He presents a picture of an industry that continues to try to bring television to the web (real video, real audio, flash) all attempts to bring movement and animation to a naturally solid state-dynamic environment. The real power of the web is in the link, in the ability of authors and users to "create their own story" - to navigate through the content as they wish, not necessarily how the author intended. Johnson uses Dicken's stories as examples of thinking that incorporates the sense of disparate ideas - all connected into one story - the kind of thinking that Johnson thinks needs to be used to harness the power of the link.

Johnson also takes time to explore the differences between "surfing the web" and "channel surfing", arguing that the two are fundamentally different. He argues that the passive, almost lazy activity of channel surfing actually works against our ability to conceive of the web differently. People who have this mentality will not be able to clearly see other possibilities for the web.

Johnson spends quite some time bitterly complaining about the lack of real innovation in hypertext environments, and in the end suggests that his own online magazine "FEED" is at the forefront of hypertext theory, pushing the limits of use. I was less impressed that I though I would be. Johnson is so very eloquent and keenly aware of the need to use hypertext as storytelling environment, to really push out lazy use of it, and to exploit the full potential of this tool. I feel that Johnson fails to acheive the goal that he so clearly lays out in his book. While FEED does use hypertext in new ways, it didn't strike me as particularly clean. By this I mean that the *interface* was clogged with too many links, the user while given many options was not given any clear or clean sense of direction. Burrowing into the site, the linking grew in scope and complexity, but instead of making my interaction more pleasant, I found I was more confused, and really had to try to find order. Perhaps this is just a natural reflexive response to the new use of a familiar thing, but I didn't to stay at FEED. I can see what FEED is trying to do, and I agree with the goal - to provide a dynamic interactive hypertext environment... but the interface was too hard to use. From a design perspective it is always easier to add a bunch of bells and whistles, the hard part is to take away everything that distracts from the message, that interferes with the usability. It seems like the producers of feed became excited about the possibilities of hyperlinking and no one ever stopped to ask when was a good time to stop. While all links are relevant to the content, the sheer volume of linking distracts the user - taking away from their ability to smoothly interact with the environment.

Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)



 
2 of 2 people found the following review helpful:
5.0 out of 5 stars One of the most intelligent and graceful of the cyberbooks, 5 Jun 1998
By A Customer
I've read a lot of these books about cyberculture recently, and Johnson's is one of the best. Positioning itself in neither the camps of "technoboosterism" nor "neo-Luddism," the book is an insightful, informed, and gracefully written history/meditation/prophecy about the evolving nature of "interfaces" as our primary means of inhabiting information society as a culture. Two things about the book stand out for me. One is Johnson's ability to pierce to the core of the notion of "interface" by thinking at a fundamental level about the experience of using such components as "windows," "links," "desktop metaphor," etc. His discussion of these topics is aided by a very judicious, selective look at recent software examples or online paradigms (e.g., his nice discussion of the nature of link discourse on the Suck site). In general, Johnson made me think about these seemingly mundane elements of the "interface" in new, broad ways--technical, social, cultural, and artistic. Secondly, Johnson's penetrating sense of the continuities between current information society and past literary, artistic, and technological societies is a wonder to behold (I enjoyed particularly his comparison of information space to such architectures of the past as the Gothic cathedral or city, and also his excellent comparison/contrast of information space to the 19th-century "connective" novel). He never overdoes the comparisons; I see them as the ballast that accounts for the steadiness of his middle tone between "technoboosterism" and "neo-Luddism." He is not Luddite because he has a strong sense of the evolving, slowly accreting momentum of technical changes and their (sometimes surprising) social reception. (The book thus moves toward an optmistic guess about what a revised text or "meaning"-based interface might look like.) Even the best of the "neo-Luddites" by contrast--for example, Cliffo! rd Stoll's wonderfully droll and insightful Silicon Snake Oil--gives one the impression of being stuck in a little time warp: they came, they saw the limited state of the technology in 1989, or whenever, and they conquered. But on the other hand, Johnson is not boosterish either precisely because his strong sense of history discounts the inflated millennium-mongering of those who claim that every new technological development is revolutionary. A very thoughtful piece of work. I'd recommend it in particular to anyone whose background or current training (e.g., in the humanities, arts, etc.) leaves them grasping for a meaningful way to understand the interface between what they know and love in the past and what the engineers and programmers aspire to in the future.

--Alan Liu

Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)



 
1 of 1 people found the following review helpful:
4.0 out of 5 stars review of steven johnson's interface culture-by nataliemann, 30 April 1999
By A Customer
In Interface Culture, Steven Johnson brilliantly brings together technology and the arts to create a work that shows how both effect and reflect on one another. He uses references of Gothic Cathedrals and Leonardo Da Vinci to tout that the role of the interface designer is similar to that of a more traditional artist. Johnson¹s dismantling of the superficially erected barrier between art and technology is quite successful. His book is filled with references to the fine arts and popular culture. He does this by carefully portraying how technology has been used and/or depicted in literature, film and other forms of visual art. By tying together different cultural periods in his analysis of technology, he reveals that the technical types are not always nerds that are solely concerned with cracking computer codes or developing websites. Using the modernist notion of the avant-garde, Johnson calls for the interface designers to step away from the old and into the new. He makes reference to the influence of the camera on modern art. Since the camera depicted reality as it was, there was no longer a reason for art to perform the role of documentation. This appears to be the same rationale that Johnson uses to challenge the role of the interface metaphors on today¹s personal computer. While Johnson does acknowledge that some of the user- friendliness that today¹s interface has to offer will dissipate as it takes on a more artistically and philosophically aesthetic approach, he fails to acknowledge (until the very last sentence of the conclusion) that our own perception of what is and is not user-friendly will change as the years go on. As we have seen in other forms of art, tastes and ways of looking at visual surfaces change and fluctuate as time goes on. What isn¹t user friendly today will be user friendly tomorrow. After reading Interface Culture and listening to Johnson¹s plea for interface designers to become more artistic, non-traditional and innovative in their designs, I was rather disappointed in his ezine, ³Feed.² ³Feed² hardly represents anything more than another ³fancy² website. It doesn¹t reflect his own vision of technology becoming more than just another user-friendly tool. His cyber-mag appeared to be nothing more than just another ezine full of hyperlinks to transport you too and from various articles pertaining to today¹s cultural climate. This seems hypocritical for someone who seeks to revolutionize the face of the interface, but it does go along with his attempt to synthesize technology and art. His ezine combines articles on culture, art, and society and places them in the realm of cyberspace. I would highly recommend Johnson¹s Interface Culture. His attempt to transform the way in which art and technology are viewed is successful. This book is interesting for both the computer nerd and humanities nerd. There is something that both of these types of people can get out of it. Johnson¹s book is one way of looking at ways to challenge the paradigms and dichotomization of the arts and technological sciences.
Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)


Share your thoughts with other customers: Create your own review
 
 
 
Most Recent Customer Reviews

5.0 out of 5 stars Interface Culture
As both a history and a companion to theoretical studies, this book excels as it takes a fond look at interface design and the implications surrounding it. Read more
Published on 21 Mar 2003 by MR. M.K.HOOPER

5.0 out of 5 stars user-friendly book for the computer amateur
Johnson clarifies to the common reader (ie non-computer tech) the complicated world of computer technology. Read more
Published on 30 April 1999

5.0 out of 5 stars Interesting, but questionable premise
I think this is an Okay book that could have easily been a lot better with some good editing. Mr. Johnson's premise for the book is hazy at best. Read more
Published on 3 Jan 1999

3.0 out of 5 stars Interesting conceptual overview.
An interesting, cerebral look at the impact of digital technology and the user interface on our culture. Read more
Published on 28 Oct 1998

3.0 out of 5 stars Some few good thoughts but limited
This is one of the best technoculture books I've read, but don't expect great things, I guess there's still missing THE book in this area. Read more
Published on 22 Jul 1998

3.0 out of 5 stars meandering flow overshadows some good content
Johnson makes some interesting points, and prods the reader to think in some new directions, but he never seems to get to the point. Read more
Published on 13 April 1998

2.0 out of 5 stars Moments of insight, but reads like a college senior essay
There are definitely good thoughts in there, but the strained analogies, questionable historical context and funny 25-cent words make this read more annoying than insightful. Read more
Published on 8 April 1998

3.0 out of 5 stars McLUHAN THROUGH A GLASS DARKLY
Eye wanted to like this book. The hype was awesome. Yet the book, which wheelbarrows its best stuff from Marshall McLuhan, seems to miss McLuhan's point: that the effects of... Read more
Published on 23 Mar 1998

5.0 out of 5 stars Spelunking the computer netherworld
After years of multimedia and web design there is finally a book, Like Art and Design in Context by Frederick Palmer, that I find takes the artifact of design and gives it a broad... Read more
Published on 10 Mar 1998

4.0 out of 5 stars Good level for skimming, a few good insights
This book didn't draw me into slow and careful reading mode, but I found some of the insights genuinely useful. Read more
Published on 12 Feb 1998

Only search this product's reviews



Customer Discussions

 Beta (What's this?)
This product's forum (0 discussions)
  Discussion Replies Latest Post
  No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
  [Cancel]


Active discussions in related forums
   
Related forums


Listmania!


Look for similar items by category


Feedback


About Face 2.0: The Essentials...

About Face 2.0...

“…very informative and challenging…ought to be read by any one who... Read more

Find similar items

 

More From Steven Johnson

Everything Bad is...

Everything Bad is Good for You: How...

The championing of popular culture is most welcome ... a vital, lucid... Read more
£8.99 £6.99

 

Up to 53% off Braun Series Shavers

Braun Series 3 390cc Clean & Renew System Rechargeable Foil Electric Shaver
Get in touch with your smooth side with Braun Series shavers, now with Gillette blade technology.

Discover Braun Series at Amazon.co.uk

 

Treat Someone

Amazon.co.uk Gift Certificates--available in any amount from £5 to £500 With an Amazon.co.uk Gift Certificate, you can get them what they want (even if you don't know what that is).

Learn more about Gift Certificates

 
Ad

Where's My Stuff?

Delivery and Returns

Need Help?

Your Recent History

  (What's this?)
You have no recently viewed items or searches.

After viewing product detail pages or search results, look here to find an easy way to navigate back to pages you are interested in.

Look to the right column to find helpful suggestions for your shopping session.

Continue Shopping: Top Sellers
The Girl Who Played with Fire
Breaking Dawn (Twilight Saga)
The Girl with the Dragon Tattoo
The Host
The Host by Stephenie Meyer

amazon.co.uk Amazon Home
International Sites:  United States  |  Germany  |  France  |  Japan  |  Canada  |  China
Business Programs: Sell on Amazon  |  Fulfilment by Amazon  |  Join Associates  |  Join Advantage
Customer Service  |  Help  |  View Basket  |  Your Account
About Amazon.co.uk  |  Careers at Amazon
Conditions of Use & Sale |  Privacy Notice  © 1996-2009, Amazon.com, Inc. and its affiliates