Most Helpful Customer Reviews
|
|
2 of 3 people found the following review helpful:
3.0 out of 5 stars
A Flawed Classic, 2 Feb 2004
'The Natural' is the story of a man striving to become the greatest baseball player who ever lived. It's an astutely observed novel, which readily (often unexpectedly) deploys humour and melodrama to unbalance and confound the reader. Early on, after an exhilaratingly impromptu confrontation between the Whammer (a batter approaching retirement) and Roy (the "natural" of the title), two shock blows are delivered in quick succession. These events form a loose prologue and shape the rest of the tale; they also define Malamud's antagonistic relationship with the reader: brutal scenes bump unpredictably against farcical episodes in a narrative that is confusingly inchoate. Problematically, the novel's turbulent voice - sometimes laid-back, sometimes flippant - dislocates us from Roy: we see his pain, but don't, in the final stretch, feel for him strongly enough. But, problems aside, the passages about baseball, and the evocation of sporting ambitions, make it a memorable read.
|
|
|
1 of 3 people found the following review helpful:
3.0 out of 5 stars
A Flawed Classic, 2 Feb 2004
'The Natural' is the story of a man striving to become the greatest baseball player who ever lived. It's an astutely observed novel, which readily (often unexpectedly) deploys humour and melodrama to unbalance and confound the reader. Early on, after an exhilaratingly impromptu confrontation between the Whammer (a batter approaching retirement) and Roy (the "natural" of the title), two shock blows are delivered in quick succession. These events form a loose prologue and shape the rest of the tale; they also define Malamud's antagonistic relationship with the reader: brutal scenes bump unpredictably against farcical episodes in a narrative that is confusingly inchoate. Problematically, the novel's turbulent voice - sometimes laid-back, sometimes flippant - dislocates us from Roy: we see his pain, but don't, in the final stretch, feel for him strongly enough. But, problems aside, the passages about baseball, and the evocation of sporting ambitions, make it a memorable read.
|
|
|
4.0 out of 5 stars
Brilliant, 13 Aug 2008
Most people will come to this book through the Redford film and will be surprised and intrigued by the view that the movie takes of the text. In the film the key event of the protagonist's life, Roy Hobbs, is seen as a random event of chance which changes an otherwise good man's chance of fame and greatness and through his love of baseball he is redeemed; the book's view is that Roy, while a genius, has flaws that mean he will never be redeemed and will always struggle with his inner demons. If we look at our real life sporting heroes we will see that this is the true picture of sporting genius and what makes many sportsmen great (confidence, self-belief and skill) will, often be the very thing that causes their destruction, in one telling line that defines Roy's character and fate, the team mamanger expresses concern that Roy can "never leave a bad ball alone".
This is the reason for Roy's fall, not a random event of fate but a man struggling with his talent and with the dark side of his talent.
The book has an epic feel to it, Roy is a hero in the mould of Odysseus or Jason, he is tempted, fails and is constantly antagonising the gods that gave him his talent; as a result those gods beset him with trials and tests, many of which he fails. It is therefore not a story more of an extended fable. The mythic quality that the film draws upon is much darker and forboding in the book and, most tellingly there is no happy ending.
This is an evocative book, the smell and feel of baseball is captured with startling clarity and the nature of skill and luck in any game is brought vividly to life. It is not a comfortable book to read and there are some stark contrasts with key moments in the film which are also key moments in the book but from an entirely different perspective.
|
|
|
|