A Swashbuckling Read - This ZORRO Is Better Than The Legend!, 11 May 2005

By	Jana L. Perskie "ceruleana" (New York, NY USA) - See all my reviews

Don Diego de la Vega was born in Alto California at the end of the 18th century to a Spanish aristocrat, and the daughter of a Shoshone shaman and a Hispanic soldier turned deserter. Diego is raised alongside Bernardo, the son of his Indian wet nurse, and the two milk brothers remain inseparable throughout their lives. Although born into privilege, Diego becomes aware of social injustice at a very early age because of his mestizo blood and his bonds of friendship and brotherhood with Bernardo. European settlers continually perpetrate acts of violence against the Native American population and the two boys are helpless to come to the defense of their people.

The two receive a multi-faceted education. The Shoshone teach them how to hunt and fight like Indian braves. White Owl, the shaman and Diego's grandmother, instructs them in indigenous lore, sends them on individual quests for a vision and their totems, and brings them through the rites of manhood. After a fox saves Diego's life, the small animal, el zorro, becomes his totem. White Owl tells him, "Zorro is your totemic animal, your spiritual guide. . . . You must cultivate its skill, its cleverness, its intelligence." Don Alejandro de la Vega gives his son lessons appropriate to a young Spanish grandee, including fencing, and instructs him about all things necessary to run their enormous rancho. Whatever Diego is taught, he passes on to Bernardo. The first part of the novel is about life and politics in California, Mexico, and Europe during the Napoleonic Wars, along with vignettes of the events and traumas which touch and effect the lives of the boys, and their families, as they move into adolescence.

Diego is sent to Barcelona to receive a noble's education, like that of his Spanish ancestors. Bernardo accompanies him, as a servant, even though he is no such thing. They stay with a close friend of de la Vega's, a Francophile, Tomas de Romeu, who has two daughters, the beautiful Juliana, and the spunky, younger, cross-eyed Isabel. The girls and their duena Nuria, are to play important roles in this tale. All of Spain is under Napoleon's control and the Spanish are rebelling. Guerilla fighters attack the French forces everywhere. Meanwhile, Diego enrolls in the School of Humanities, and is mentored by the famous fencing master, Maestro Manuel Escalante, who literally wrote the definitive manual on the art of swordplay. Escalante recruits Diego into the secret society, Justicia, whose members' are pledged, "To seek justice, nourish the hungry, clothe the naked, protect widows and orphans, give shelter to the stranger and never spill innocent blood." It is in Barcelona that the revolutionary character Zorro is born.

The novel's final chapters deal with the return of Diego, Bernardo, their traveling companions, and Zorro. And in Alto California, Zorro confronts his enemies at last, the homegrown kind and those who have pursued him from abroad.

As always, Isabel Allende's narrative is a delight to read. Her descriptive passages bring to life the local color, sounds and smells of Indian villages, the hacienda, the California countryside, Barcelona, gypsy camps, the sea, and a pirates' island. Her characters brim with life. "Zorro: A Novel" is better than the stuff of legend and a book I highly recommend for an adventure-packed read.
JANA

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