Most Helpful Customer Reviews
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69 of 70 people found the following review helpful:
5.0 out of 5 stars
Gripping plot, powerful themes, excellent..., 25 Sep 2006
`Half of A Yellow Sun' confirms Chimamanda Ngozi Adichie as one of my favourite authors. Following up a very successful first novel is always difficult but this is exceptional writing.
While tackling a difficult subject, the lead up to and the course of Nigeria's Biafra War in the 1960's, it is told in a very readable and accessible way. The events unfold through the eyes of three central characters who are swept along in the chaos of civil war. There is Ugwu, the houseboy of a university lecturer; Olanna, the lecturer's partner; and Richard, an English journalist who lives with Olanna's twin sister. They are forced together and separated in unexpected ways throughout the war, each witnessing events that affect them deeply.
Interwoven in the main plot are other important themes, the necessity (for the innocent people displaced by war) and ineffectiveness (through corruption and misappropriation) of emergency relief aid; the use of child soldiers and horrors they are forced to endure; how the West perceives Africa (a good example being the situation when two American reporters are more interested in the death of one white journalist than one thousand local, black civilians); how religion, tribal loyalties and the political elite can tear a country apart; and how many of these factors can be traced back to the impact that colonialism had on the country. There are significant lessons that can be drawn from this novel, particularly with regards to how the world is dealing with the current crisis in Darfur, for example.
The structure of the novel worked well, creating intrigue and suspense throughout. It was gripping from start to finish but the tension that built in the final section meant it had to be read in one session - there was no way it could be put down.
It is one of those few books that leave you staring at the final page, not wanting to believe that it's all over. Needless to say, given the topic, it is quite a harrowing and distressing account of war. But the author's passion and dedication for her country (especially since she lost a number of her own relatives in the war) shows throughout the book. The way she describes its resilient people, traditional food (except for Harrison's rather amusing obsession with Western food), and local traditions leave you with a feeling that you have been to Nigeria yourself.
It will undoubtedly be a major contribution to African literature and is highly recommended.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
The Ties That Bind . . . in Peace and War, 7 May 2007
Highly recommended!
Strip away the thin veneer of civilization, and history teaches that you can quickly fall into savagery. Chimamanda Ngozi Adichie disagrees with that conclusion. She sees elemental nobility in people that overcomes for most even the most trying conditions. As a result, Half of a Yellow Sun is a very hopeful work, despite recounting the horrors of the Biafran attempt to separate from Nigeria in 1967-70. She also realizes that even the best people will slip up . . . and deserve forgiveness when they do if they repent.
However, betray someone at a personal level . . . and that's much harder to take than mere life-threatening and degrading challenges. The contrast between surviving external conditions and personal betrayal is deftly and powerfully made in this kaleidoscope of how world politics, colonial policies, religious differences, tribal influences, geographical prejudices, racism, economic class consciousness, business activities, family connections, friendships, sexual desire, obligations, and personal favors interplay.
At the center of the story is one household at rural Nsukka University comprised of the socialist-leaning professor Odenigbo, his beautiful mistress Olanna, daughter of Chief Ozobia, and their houseboy, Ugwu. The plot also heavily involves Olanna's fraternal twin sister, Kainene, who runs the family business interests and her lover, the ineffectual English writer, Richard Churchill. Intellectuals from Odenigbo's university circles also stand-in as surrogates for various attitudes in society. In fact, each character is clearly symbolic of one part of the story or the other. Follow their fates, and you get a good sense of the author's ideas of what happened to the overall social fabric.
Two things make this book special: First, Ms. Adichie has captured the psychologies of different times in Nigeria and Biafra in a subtle and interesting way. Her book is very much more about the psychological landscape than about the physical one. No doubt she was helped by her interviews with her relatives and others still living who experienced those days. Second, she takes the time to endow ordinary life with extraordinary meaning. It's a beautiful gift.
The book has two weaknesses from my perspective: Ms. Adichie curiously decides to turn some of the personal events into a mystery so that for some pages you see characters estranged from one another . . . but without knowing the reason. I felt like this approach simply served to make the story harder to understand . . . as though the reader didn't really qualify to know family matters. The other weakness is that many characters are drawn very superficially while Ms. Adichie shows enormous skill in portraying great depths concerning Olanna, Ugwu, and Odenigbo.
For those of us who don't live in Africa, it's always exciting to see events there from the perspective of Africans . . . rather than American journalists and visiting politicians. I felt deeply rewarded by reading this fine book.
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24 of 27 people found the following review helpful:
5.0 out of 5 stars
History is people , 11 Feb 2007
Most of us will have little knowledge of the Biafra war, except, possibly, for the media's haunting images of starving children. Chimamanda Ngozi Adichie brings her people's world to us in this beautifully crafted, deeply moving, novel. Set in Nigeria during the 1960s, the narrative alternates between the optimistic early years of the decade and the civil war period at the end of it. With her extraordinary storytelling skill, Adichie draws the reader into an absorbing account of fictionalized realities that is impossible to put down - or to forget after the last page is read. With this, her second novel, she confirms her international reputation, established first with Purple Hibiscus, as one of the leading new voices of African literature.
While the war for Biafra's independence, born out of highly complex Nigerian and international political circumstances, provides the essential context for the novel, Adichie's focus is on the personal and private, the struggle of the civilian Igbo population. Her depiction of the horrors of war, the starvation and destruction is realistic. Yet she does not allow these scenes to take over and succeeds in not overwhelming the reader with them. By concentrating on one family and its close circle of friends and neighbours, Adichie creates an intimate portrait of these people's lives during both these critical periods. She paints her characters and their ongoing interactions against the panoramic view of events and environments that influence their lives and challenges their peace and even their existence.
Central to her story are the twin sisters, Olanna and Kainene, from a wealthy middleclass Igbo family. The beautiful Olanna leaves Lagos for a university environment to be with her political firebrand lover, the math professor Odenigbo. Kainene, on the other hand, having inherited their father's talents, shines as a confident business woman. English researcher and writer, Richard, friend of Odenigbo, falls under her spell. Adichie explores the interactions sisterly intimacy and love as well as its serious tests with sensitivity and empathy for both. Through them and their surroundings she also touches on the social, political and religious tensions of the time.
The list of main characters wouldn't be complete without Ugwu. Brought into the Odenigbo household as a house boy, he matures from the naïve village boy to become a well educated, articulate and caring member of the extended family. In fact, Ugwu acts as a sort of understudy to the narrator, adding a very distinctly personal flair to the description of events and bridging the reality of his own family's rural environment with that of the intellectually stimulating social gatherings at the professor's house.
During the war years, intimacies, friendships and loyalties are put to the test. Will they survive the dramatically changed circumstances that the group finds itself in? Some are evicted from their homes and have to join the endless stream of refugees to find shelter and food for survival. Others move into remote rural areas to escape the fighting. Olanna's efforts to maintain her dignity and to protect her small family come alive on the page. So does Kainene's work with her confidence that she can beat adversity and barriers in her efforts to maintain the supplies for a refugee camp. They don't lose hope or humanity. Odenigbo and Richard have their own demons to tackle. And Ugwu juggles his various roles while attempting to maintain something of a private life for himself.
Half of a Yellow Sun, also the symbol of the short-lived Biafran state, represents some of the best that storytelling has to offer. With strong imagery and beautiful language Adichie has created a masterwork.
[Friederike Knabe]
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