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5 of 5 people found the following review helpful:
5.0 out of 5 stars
This Is Great Fun!, 11 Sep 2000
By A Customer
Ah, a wonderful Radio 4 dramatisation of Agatha Christies' Lord Edgware Dies. It begins with a vivacious performance of Putting On The Ritz & the cast keep the energy level up in this pacy, amusing play. The film star, Lady Edgware, is seen to pull up in a taxi and enter her husband's study. He is then found dead, but Lady Edgware has 12 witnesses to say that she was at a dinner party at the time. Hercule Poirot must make sense of it all. This play is especially notable for superb performances by Nicola Pagett, who is given plenty of scope for her theatrical abilities by the well written script.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Pretty good stuff, 14 Feb 2008
This is a very good novel indeed ! It involves three of Agatha Christies brilliant creations who were made to go to together i.e. the great Poirot , the lovable Hastings and the dogged Japp . There is a great deal of suspense & drama as one reads it you can imagine messars Suchet , Fraser and Jackson saying the lines . In the end you have the grim satisfaction of the moralist proved right as the murderer gets the inevitable punishment . It must be a very successful novel because it is one of the few that both Sir Peter Ustinov & David Suchet have done for TV . The only others that they have both filmed are Evil Under The Sun & Death On The Nile . Aagtha Christie has constructed some excellent characters - Lord Edgware Dies the novel would have benefited from Miss Lemon's inclusion . But fans of the character need look no further that David Suchets fine adaptation as filmed in the late 1990's . This novel has its own fair share of twists & turns and by having the great sleuth , his lovable sidekick and investigating officer grasping at straws you can see Dame Agatha has learned from Arthur Conan Doyle's way of writing detective fiction ( i.e. for Poirot read Holmes , Hastings is a character a la Watson and of course for Japp Lestrade was an obvious template for Agatha Christie ) . She sets the scene very well and it is wonderfully easy to read and so is handy both for train or coach journey's and rainy afternoons . A great way to relax . I read the novel and enjoyed wathcing both Suchet and Ustinov in their seperate TV movies conveying the same story in different ways . They both do it justice and seeing David Suchet as Japp in Thirteen At Dinner is an absolute hoot . Amazon.co.uk are superb for selling such a great Christie classic at such a fair price !
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
"Listen to me, and you shall know everything...Just a simple story....", 10 Mar 2008
When Jane Wilkinson, Lady Edgware, contacts Hercule Poirot to ask him to intercede with her husband so that she can get a divorce and marry another man, Poirot agrees reluctantly. Lord Edgware, it turns out, is surprised by this request since he had written a letter to Jane agreeing to end their marriage three months before. Lord Edgware is soon discovered dead, and a woman identified by witnesses as Jane, his estranged wife, has entered his house late on the night of his death. The problem? Jane Wilkinson has been at a dinner party that night, and twelve other guests have seen her.
In this novel, written in 1933, Hercule Poirot is in his seventh outing as Christie's detective, and, joined by his redoubtable assistant, Capt. Arthur Hastings, he "helps" Inspector Japp of Scotland Yard in the solution to this complicated case. The world of theatre plays an important role--Jane Wilkinson and Carlotta Adams (soon the "late" Carlotta Adams) are actresses, and several other characters, notably Brian Martin, have theatrical careers. The world of art also plays a role in the conclusion, and the lives of aristocrats and would-be aristocrats, such as Jane Wilkinson, along with their servants and staff, keep the action high-toned, but not high-principled.
Poirot rises to the ensuing challenges when two more murders take place. Relying on his "little gray cells" as much as on the clues he finds--in a letter written by a murder victim before death, in an engraved gold case filled with Veronal, in secret loves, and in positive witnesses who may not have witnessed what they think--Poirot provides the reader with much amusement, the result of his affectations, and much suspense, since he does not share his thoughts until he the time of his grand announcement. The clever ending contains a tour de force which adds an extra bit of clever amusement for the reader.
Though the mystery is clever and the interplay of the characters allows the mystery to develop in a way that keeps the reader off-guard but believing in Poirot, the casual anti-semitism revealed here may undercut the reader's full admiration for the novel. Though this is not a major part of the novel, the fact that it appears at all--in England, just five years before Kristallnacht brought all of Europe to attention--casts a surprising light on English sentiments, at least among the upper classes. Mary Whipple
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