Review
From the reviews of Black House: 'One of the most brilliant and chilling thrillers of modern times.' Daily Mail 'Fabulous. The ultimate in storytelling by two masters of the craft.' Independent on Sunday 'An intelligent, suspenseful page-turner ... It's a relief to find popular fiction that's as unpretentious yet rich in literary allusion and human detail as Black House.' Wall Street Journal Praise for Peter Straub: 'Straub is a master at creating fear out of everyday life.' Sunday Telegraph 'No one is better than Straub at having whole communities rocked by the forces of wickedness.' Observer
It may be snobbery, but you just don't expect a chiller to be quite this well written, quite this well-constructed so that the story slowly develops until the mysterious horror overhwhelms. A literary poke at the underworld of the supernatural horror story, deftly merging the story of the Sherman Park Killer - a predator picking off teenage boys - with the richer tapestry of a house of murder and unimaginable torture, unable to shake off its past or the restless spirits that once dwelt there, and where the ghost of a young girl is real enough to lure a suggestible young boy into her world. Following on from his worldwide success with Black House (which was co-written with Stephen King), Straub ploughs a lone furrow, uncovering a ghost story, a police procedural, a horror story and an internet urban myth, mixing in them into an engrossing whole. Recommended. (Kirkus UK)
The veteran horror writer's circuitous 16th outing (stories: Magic Terror, 2000, etc.). A suburban mom's suicide, a spooky abandoned house, and a teenager's unwitting pursuit of the truth about "one of the nation's livelier serial killers"-such are the ingredients here. They're pieced together, after a fashion, by successful NYC novelist Tim Underhill (first seen in Koko, 1988), who's summoned to the midwestern town of Millhaven by his brother Philip, a misanthropic high school vice-principal. Tim learns that his teenaged nephew Mark has found his mother Nancy dead in her bathtub. Following this essentially straightforward setup, the novel breaks apart into alternations of present action with flashbacks, experienced and relayed through various characters' viewpoints, Tim's "journal," and an omniscient narrative voice only intermittently firmly distinguished from Tim's own. The central action is Mark's exploration (initially abetted by best pal Jimbo) of the uninhabited house directly behind his own-a house, we're asked to believe, that Mark had scarcely noticed (!) prior to his mother's suicide. Its secrets-sharply imagined and brimming with promising narrative menace-have to do with Nancy Underhill's first cousin Joseph Kalendar, a serial rapist, child abuser, and murderer. As the intrepid Mark (a sweet-natured golden boy whose stunning good looks are rather creepily overstressed) keeps uncovering nauseating things, Tim and Philip and involved local authorities (aided by Detective Tom Pasmore, on loan from Mystery, 1989, and The Throat, 1993) also zero in on Kalendar's horrific legacy. The fates of adolescent boys lured away by a malign sexual predator are painstakingly, laboriously connected to that of a "lost girl" (herself an otherworldly seductive force) who "haunts" those who failed to save her. And, in a nod to Straub's sometime collaborator Stephen King, Tim realizes that (a la King's The Dark Half) his own literary creations may have assumed lethal form. Strikingly imagined indeed, but the zigzag structure blurs the momentum and effect of what might have been one of Straub's best. (Kirkus Reviews)
Product Description
A new psychological thriller with links to his acclaimed bestsellers KOKO and THE THROAT -- from the co-author of the massive international No 1 bestseller BLACK HOUSE. From the prolific and ferocious imagination of Peter Straub, the acclaimed master of literary horror, springs a groundbreaking story of the persistence of evil told with tantalizing ambiguity and formal audacity. A woman kills herself for no apparent reason. A week later, her teenage son disappears. The vanished boy's uncle, Timothy Underhill -- familiar to Straub's readers from Koko and The Throat -- is compelled to return to his hometown of Millhaven to discover what he can. A madman known as the Sherman Park Killer has been haunting the neighbourhood, but Underhill believes that Mark's obsession with a local abandoned house is at the root of his disappearance. He fears that in peeling back the house's hideous secrets, Mark came across its last and greatest secret -- a lost girl, one who has coaxed Mark deeper and deeper into her mysterious domain where he must encounter a fearsome adversary.
