by J.G. Ballard
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by J.G. Ballard
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The Atrocity Exhibition: Annotated (Flamingo Modern Classics) by J.G. Ballard |
by J.G. Ballard
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by J.G. Ballard
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Amazon.co.uk Review
The Complete Short Stories of JG Ballard are required reading for all connoisseurs of Ballard's writing. This compilation brings together 96 short stories drawn from previous collections of Ballard's short stories, including The Voices of Time and War Fever, as well as four previously uncollected stories. The result is an exhilarating overview of Ballard's development as a short-story writer, from the singing orchids of Vermilion Sands in Prima Belladonna, completed in 1956, to the millennial anxieties of Report from an Obscure Planet, written in 1992.
The Complete Short Stories confirm Ballard's stature as a craftsman of the short story, which often suits his surreal brilliance above and beyond later novels such as Cocaine Nights and Super-Cannes. In his Introduction, Ballard reflects, "the short story is coined from precious metal, a glint of gold that will glow for ever in the deep purse of your imagination." Time and again, whether exploring the furthest reaches of science fiction, or the banal surrealism of English suburban life, Ballard's perverse insight lodges itself in your imagination, as he explores and often punctures what he refers to as "that over-worked hologram called reality". This collection will delight devotees, but it will also allow readers new to Ballard to experience a short-story writer of the stature of Borges, Bradbury or Edgar Allan Poe. --Jerry Brotton
Review
'The most important contemporary British writer.' Will Self, Independent 'He has had from the start an extraordinary descriptive gift, an eye for the mood and code of the visual environment that is like Poe's, but steadier. He remains most effective in the tight capsule of the short story.' Richard Holmes, The Times 'Ballard is the most modern of writers; his art engages with the artefacts and obsessions of the second half of the century in a manner and with an intensity umatched by any other writer.' William Boyd, Daily Telegraph 'J.G. Ballard is a magician of the contemporary scene and a literary saboteur. Ballard's fantastical landscapes are among the most haunting in English literature. No one else writes with such enchanted clarity or strange power.' Ian Thomson, Guardian
It is over 45 years since J G Ballard's first short story, 'Prima Belladonna', was published in the science fiction magazine Science Fantasy. Since then, he has written over a hundred short stories, 96 of which are gathered together in this awe-inspiring volume. The stories are arranged chronologically, beginning with 'Prima Belladonna' and concluding with 'Report from an Obscure Planet', first published in 1992. So much for the facts. But what is it about Ballard that makes this publication such a landmark event? He's traditionally regarded as one of science fiction's most brilliant visionaries, with a sharpness of insight unequalled by his peers, but the stories in this collection also show how he transcends the genre to make bold, often terrifying, observations on the ultimately bleak nature of human existence. His futuristic visions are unremittingly grim in the earlier stories, many of which hinge upon man's desperate need for two things - personal space and a framework for measuring his existence. The true hell in 'The Concentration City' is never being able to leave it; in 'Billennium', Hell really does turn out to be other people - so many other people, in fact, that personal living space is rigidly controlled, and people jams of up to two days are commonplace. Other stories focus on the way men disintegrate without any means of marking time - such as Ryker's fixation with clocks in 'A Question of Re-Entry' and the city in 'Chronopolis' where clocks have been banned altogether. The later stories display a great energy and daring - 'The Index' and 'Answers to a Questionnaire' are almost teasing in style, deceptively light-hearted yet constructed with painstaking care. However, this is a collection which is uniform in its quality - it is rare indeed to find a writer who can maintain such consistently powerful, original prose for over 40 years. Many images will linger in the mind long after the final page has been turned: the dead astronaut endlessly orbiting the Earth in his spaceship; the miniature world of Mr Goddard which is a microcosm of his life outside; the thousands and thousands of people being drawn inexorably towards the sea in 'The Reptile Enclosure'. In a recent interview, Ballard said of this book, 'No one's going to sit down and read it all the way through, unless they've got very empty lives.' The reader may beg to differ with him on this point - reading this magnificent collection at one go is a truly enriching experience. (Kirkus UK)
It is over 45 years since J G Ballard's first short story, 'Prima Belladonna', was published in the science fiction magazine Science Fantasy. Since then, he has written over a hundred short stories, 96 of which are gathered together in this awe-inspiring volume. The stories are arranged chronologically, beginning with 'Prima Belladonna' and concluding with 'Report from an Obscure Planet', first published in 1992. So much for the facts. But what is it about Ballard that makes this publication such a landmark event? He's traditionally regarded as one of science fiction's most brilliant visionaries, with a sharpness of insight unequalled by his peers, but the stories in this collection also show how he transcends the genre to make bold, often terrifying, observations on the ultimately bleak nature of human existence. His futuristic visions are unremittingly grim in the earlier stories, many of which hinge upon man's desperate need for two things - personal space and a framework for measuring his existence. The true hell in 'The Concentration City' is never being able to leave it; in 'Billennium', Hell really does turn out to be other people - so many other people, in fact, that personal living space is rigidly controlled, and people jams of up to two days are commonplace. Other stories focus on the way men disintegrate without any means of marking time - such as Ryker's fixation with clocks in 'A Question of Re-Entry' and the city in 'Chronopolis' where clocks have been banned altogether. The later stories display a great energy and daring - 'The Index' and 'Answers to a Questionnaire' are almost teasing in style, deceptively light-hearted yet constructed with painstaking care. However, this is a collection which is uniform in its quality - it is rare indeed to find a writer who can maintain such consistently powerful, original prose for over 40 years. Many images will linger in the mind long after the final page has been turned: the dead astronaut endlessly orbiting the Earth in his spaceship; the miniature world of Mr Goddard which is a microcosm of his life outside; the thousands and thousands of people being drawn inexorably towards the sea in 'The Reptile Enclosure'. In a recent interview, Ballard said of this book, 'No one's going to sit down and read it all the way through, unless they've got very empty lives.' The reader may beg to differ with him on this point - reading this magnificent collection at one go is a truly enriching experience. (Kirkus UK)
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