Amazon.co.uk Review
Our culture's obsession with serial killers as its own dark shadow sometimes obscures the fact that people kill for other reasons than sex. In
Killing the Shadows Val McDermid's new detective, academic psychologist Fiona Cameron, has become something of a maverick because of her insistence on using other sorts of profiling as well as the standard psycho-sexual ones; she has refused to work for the Metropolitan police any more because of a murder they failed to solve because they took another psychologist's advice. Yet the woman murdered on Hampstead Heath preys on her conscience, along with her own murdered sister, as she works for the Spanish police on a killer who decorates the sights of Toledo with dead tourists. And then someone starts killing crime writers and Fiona's lover Kit is on the killer's list. Val McDermid's ingenuity and solid sense of how crime and investigation works have made her one of the dominant figures in contemporary British crime writing.
Killing the Shadows is one of her best books yet, both for its powerful critique of modern policing and for the serious questions it asks about our fascination with the deadliest of criminals. --
Roz Kaveney
--This text refers to an out of print or unavailable edition of this title.
Review
'McDermid has become our leading pathologist of everyday evil, and she both thrills and scares in this tale of celebrity stalking with a difference the subtle orchestration of terror is masterful' Maxim Jakubowski, Guardian
As Francis Blake leaves the Old Bailey, gleefully celebrating the dismissal of the charges against him for raping and murdering a young mother on Hampstead Heath while her two toddlers watched, neither Steve Preston of the Met nor his good friend, psychological profiler Fiona Cameron, is supposed to still be working the case. But they are, unofficially, whenever they can steal a moment. When she's not off in Spain consulting about a serial killer on the loose there, Fiona is also worried that her partner, thriller writer Kit Martin, may be next on the list of a serial killer who's already polished off three crime writers in the same gruesome manners they depicted in their fiction. Steve and his colleague Sarah Duvall, busy scouting leads Fiona's provided to the Hampstead murder, think Kit's in no danger, but when he's abducted, Fiona heads off to search for him in the wilds of Scotland, where the killer is planning to exsanguinate Kit and paint the cabin walls with his blood, just as in his book. Sarah will deal with a publicity-seeking confessor and Steve will nab the real Heath villain, but it will be up to Fiona to save Kit-down a pint of blood and in the rifle sights of his tormentor-and finally come to terms with the her young sister Lesley's murder by a serial killer who's never been found. Pretty murky motivation, not helped by the tic of brandishing the perp's journal every several chapters. McDermid has handled the duel between serial killers and profilers better in "The Mermaids Singing "(1996). (Kirkus Reviews)
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