Amazon.co.uk Review
No Bones, Anna Burns' magnificent debut, is a heartbreaking but astonishingly funny account of growing up in Belfast during the "Troubles". Without meaning to diminish this wonderful and inventive work, it's possibly more accurate to describe it as a series of interlocking stories rather as a novel. At its centre is Amelia Lovett, a naïve, sensitive girl who matures, although never losing her youthful incredulity, as the book progresses. Her, often tragic life story is recounted through an array of characters, vernacular voices and episodes that with mordant humour track the sheer brutality of the era. Burns unflinchingly portrays the casualness, even banality, of the violence. The nine year-old Amelia easily drifts from collecting buttons to plastic bullets; teenage girls shoot each other in the playground; wayward youths are kneecapped and even a walk home from a disco can result in a "protracted, grisly and truly awful end."
What Burns manages to capture, through comic exaggeration, is a real sense of how fragile the boundaries of normality are. The sectarian killings are matched by equally senseless domestic feuds and conflicts. Amelia's mother's observation that "she could see that beating the crap out of her sister was one thing; kicking an IRA man to death or nearly was another" offers a measure of just how distorted their values have become. Amelia reacts to the madness around her by internalising the violence, choosing to harm herself rather than others; first by becoming an anorexic and then an alcoholic--dealt with in a mercilessly hilarious chapter where all of the booze-addled characters continually forget what they have been talking about. The schizophrenic Vincent however, retreats further into actual madness creating a fantastical carnival city with "Come and Get Your Dead" stalls and, all too real, imaginary gunmen. It's achingly sad but as so often in this magically realised book, the mingling of tragedy and surreal comedy proves deeply affecting. Burns has produced a compassionate, bitterly acute, witty portrait of the darkest days of Northern Ireland's history. No Bones could well emerge as Belfast's Dubliners.--Travis Elborough
Review
'Fresh, original shot through with energy and drama right from the start' The Times 'Amelia Lovett is just an ordinary little girl caught up in extraordinary circumstances. No Bones tracks the tragi-comic fortunes of the Lovett family of Belfast - the shrewdly mad mother; malevolent Mick; and dreamy Amelia, our narrator, who records their antics over the years. Anna Burns recreates the dark days beautifully and evokes the spirit of the times with compassion and understanding No Bones gives an insight into a difficult and dangerous period of our history from a refreshing point of view and speaks the truth in a way that only a child can do.' Irish News 'The use of language is stunning, powerful and controlled the story of Amelia's struggle for sanity is compelling.' Daily Telegraph 'This account of a girl's life growing up in Belfast during the Troubles, which examines madness and sanity and questions our interpretation of both, is scary. Scarily well written, too.' Martina Devlin, Irish Independent
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