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In This Block There Lives a Slag...: And Other Yorkshire Fables
 
 

In This Block There Lives a Slag...: And Other Yorkshire Fables (Paperback)

by Bill Broady (Author)
3.0 out of 5 stars See all reviews (1 customer review)

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Product details

  • Paperback: 256 pages
  • Publisher: Flamingo (15 Oct 2001)
  • Language English
  • ISBN-10: 000655198X
  • ISBN-13: 978-0006551980
  • Product Dimensions: 19.2 x 12.8 x 1.6 cm
  • Average Customer Review: 3.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 998,493 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review
Following the success of his remarkable first novel, Swimmer, Bill Broady's In this Block There Lives A Slag ... is an equally remarkable collection of short stories. In fact, Broady presents his readers with a series of "Bradford Fables" (to borrow the subtitle of the book), a world as whimsical as it is credible, as grotesque as it is comic. Through each of the 12 tales included here, Broady's narrators are distinctive, original, their voices taking us into the everyday mayhem of their lives with the economy and verve that is the hallmark of Broady's writing.

Take "Wrestling Jacob", the fable which opens the collection with a quotation from St Paul: "For we wrestle not against flesh and blood, but against principalities." In this case, however, the narrator is involved in "freestyle grappling with a Swaledale ram". Jacob, "metasheep, laughing wrestler", is the hero of this peculiar but moving story set in the valleys. By contrast, "In This Block There Lives a Slag" takes us to a Bradford Council Estate, to pubs and the dole queue, to "slags" and walls daubed with grafitti.

The story exemplifies the range of Broady's writing from its quasi-surreal conclusion to its bleak vision of lives lived out on the margins--a vision which comes through in his powerful description of the "slags" and their babies "thin and silent, with frightened eyes".

They hated children, I'd noticed, but loved babies ... And then the creatures would begin to speak, using words they'd never taught them, asking questions they couldn't answer. Only blows would shut them up and then not even blows would make them speak again.
Running through this collection, the pain of such observation is offset, sometimes even transformed, by the risk and pleasure that Broady is prepared to take in words--risk and pleasure that make him a unique voice in contemporary fiction. --Vicky Lebeau --This text refers to an out of print or unavailable edition of this title.

Review
Praise for Swimmer: 'A dark, shimmery story, full of damage and wonder' Elle 'Echoing the aspirations of its heroine, Broady's stunning narrative seems to hover in its own distinctive element and, at times, to soar and fly. In prose of poetic precision and poignancy, he touches on the deepest dreams of the human heart.' Observer

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1 of 1 people found the following review helpful:
3.0 out of 5 stars Mixed Bag o' Bradford, 27 Jan 2005
By A. Ross (Washington, DC) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
These twelve stories (six of which previously appeared in various literary publications) are unlikely to be featured in any tourism brochures for Yorkshire -- especially Bradford. They are universally infused with a cynical worldview, a slightly surreal bent, and repetitive series of chronically dissociated loners. Much of it feels like aimless riffing, as if you could skip a page of a story and not miss a thing, however, there are a few nuggets of gold to be found.

Most of the stories are set amidst the dreary council estates of Bradford and the lost souls who live there. The title story is one of these, and contains a number of nice moments coalescing into a satisfyingly surreal ending. (If you're curious about the book, this story is available online at The Barcelona Review). Brimming with descriptive detail, "Coddock" is a too-short four pages about the rise and fall of a rejuvenated fish-and-chip shop and plays nicely as a succinct metaphor for urban improvement. "Tony Harrison" is another good but short (eleven pages) work, this time about the rise and fall of a junkie who moves in next door to a book-reading, classical music-listening narrator. However, the seven pages of "The Hands Reveal", flash through a teenage junkie girl's existence without making a mark. "Bouncing Back" is a broad satire of attempts by the Bradford City Council to improve the city's image by engaging in a little street marketing. I didn't find it nearly as hilarious or skewering as other reviewers did though.

One of the best stories is "The Kingfishers...The Distances", a heartbreaker in which another loner in a bar meets and talks to a woman who haunts his memory and changes his life -- the ending is a killer. The other excellent story is "The Tale of the Golden Bath Taps", a angsty tale of the strange relationship between a musician and a bartender/stripper with severe psychological problems. There are also a several set-pieces, which aren't particularly good, such as "Songs That Won the War", a fairly disposable twelve pages about the narrator's father dying of cancer. Another is "Mr. Personality in the Field of Poses", in which a woman ruminates on her boyfriend. Then there is "Short Cut to the Sun" which recounts an evening in a jazz club with Sun Ra, and is unlikely to appeal anyone except Sun Ra fans. Then, there's the opening story, "Wrestling Jacob" takes the rural stereotype of man/sheep love and twists it into a fable about a man who wrestles with a ram and beds a series of disposable women. Of course, in the end, he loves the sheep and couldn't care less for the women.

As is often the case with short story collections, this is a pretty mixed bag. The writing is rather too self-conscious for my taste, as Broady appears intent on cramming in as many references as possible: the Bible, Shakespeare, various poets, classic music, Elvis, and on and on and on. It doesn't help that he occasionally will repeat things from his bag of tricks, such as descriptions involving Hitler's mustache twice, and twice referring to Shakespeare's "Exit Left - Pursued by Bears" line. The collection would have been greatly strengthened by having one or two common narrators to tie it all together a bit. Because whether architect, writer, social worker, or musician, the narrators all sound and act pretty much exactly the same. It also suffers from a kind of strange quasi-elitist, "this is my little grimy part of the world, don't you dare try and make it better" attitude. On the whole, I'd be very hesitant to recommend this to anyone who doesn't have some kind of specific interest in Bradford.

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