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15 of 16 people found the following review helpful:
4.0 out of 5 stars
Intriguing, both in plot and in structure., 23 Dec 2002
Wilson's unusual ability to create fascinating and fully drawn characters within the confines of a plot-driven espionage novel make this novel particularly enjoyable. Andrea/Anne is a character who grows from a protected and naive twenty-year-old to a pragmatic spy and, later in life, to a committed political activist. Karl Voss and his family are "good Germans," disillusioned by Hitler's callous disregard for his soldiers and by his monomaniacal plans, and they believe they can serve their country best by betraying its Nazi leadership. As Karl makes contact with British intelligence and with Anne and other agents based in Lisbon, the reader watches their characters unfold as they respond to the intricacies of spy/counterspy maneuvering.More than half the novel consists of this Anne/Karl story during the waning days of World War II, a tightly drawn, tension-filled, and often genuinely moving interplay of characters and the forces which motivate them. Part II further develops the story of Anne in 1968 in London, with the short Part III taking place in 1989. These latter two sections, while intriguing and consistent with the author's themes, seemed to me to lack the immediacy and excitement of the earlier Lisbon section. The broad scope and intensity of World War II are sacrificed in favor of subtler, more abstract maneuvering during the Cold War in Part II. The motivations of the characters are fuzzier, the consequences of their behavior seem less cataclysmic, and what action there is feels a bit arthritic. The concluding Part III narrows the scope even more to a handful of characters in a country cottage setting, and while it is dramatic and probably realistic, I found it disappointing--as if the author himself were performing some double agent trickery on me, the reader. Like the best of the espionage novels, this one has plenty of action and excitement to keep the reader occupied, especially in Part I, but the book also seems to straddle a line. Because the author is also intent on developing character over an extended period of time, an unusual objective in a thriller, he also needs to include the less exciting Parts II and III which show the characters in their maturity and bring the story and themes full circle, an unusual structure and a fascinating attempt by the author to "have it all." Mary Whipple
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22 of 26 people found the following review helpful:
5.0 out of 5 stars
Exceptional, 6 Mar 2003
Author Robert Wilson has written 5 novels; unfortunately for readers this is only the second that has been offered The U.S. His debut, 'A Small Death Is Lisbon', was a very good book and was recognized with literary honors. 'The Company Of Strangers', elevates his work to an even higher level, which if he continues to maintain will place him amongst the great writers of espionage/thriller/mystery. For those unfamiliar with his work I believe the best comparison would be Mr. John LeCarre's earlier works, and some of the best that Mr. Robert Ludlum ever wrote. These are not techno-thrillers where plot and theme are replaced by endless descriptions of military hardware. Mr. Wilson writes detailed character studies that are as complex as the situations he places them in; when these aspects are combined with the talent to tell a great story that spans decades, this is an author who gives a reader all that can be expected from a great novel. The time line will take you from London of WWII, to the dawning of Glasnost in The Soviet Union, with stops in Berlin East and West, Lisbon and other locales. The book is about spies, very human, not the 007 Hollywood varieties. The motivation of why they work for a cause or country, what may make them turn, and sometimes turn once again is beautifully written and marvelously complex. The writer explores what takes place when an agent during a war finds that the country he once served, or perhaps betrayed, once the war concludes is now in the enemy's camp. Who is his new master, who does he deceive this time if deception is the choice? Does an agent serving a foreign power that becomes the victor continue to serve, or are the ideals he thought were being served proving to have been a fraud and new choices are made? The agents that take center stage in this book are all presented in various levels of detail, however none are vague. In the midst of the wild swings in world politics a variety of people have their beliefs confirmed, betrayed, and have their personal motives subjected to doubt. Do they spy as an act of revenge, a perceived wrong that was inflicted, is the spying based on theology, or is it monetary, or is it the game itself that is the attraction? In addition to all that I have mentioned, there is much more, and there are few authors who could carry out the complexity of plot without it become cloudy, and he includes revelations that in most hands would be cliché© at best, and more than likely laughable. 'The Company Of Strangers', does not wind down as the end arrives. The author literally brings his story to the conclusion on the final page. Mr. Wilson also has not succumbed to churning out work and presenting it in a brief and incomplete manner. He takes all the time he needs, and if that requires the better part of 500 pages, that is what he uses. You have the sense that you are reading exactly what the writer intended. His goal was to produce a great book, not a shallow utilitarian read, written with an eye toward a screenplay, or any other secondary use. This man is a brilliant writer; I recommend his work without condition.
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12 of 16 people found the following review helpful:
1.0 out of 5 stars
Once I put it down I could not pick it up again, 29 May 2002
By A Customer
Normally I race through thrillers, but this one was the perfect soporific. Every time I tried it again I couldn't remember who any of the characters were. The style was a curious blend of Mills and Boon and Enid Blyton (our heroine hears secrets by listening at a chimney!) and the author uses corny creative writing school tricks (the weather is always appropriate to the mood - thunderstorms when dark secrets are being disclosed, drizzle for funerals etc). There are stylistic anchronisms: would an Englishwoman in her 70s in the 1960s ask for "a tad" more gin? A mathematician appears, so naturally he has worked "with Alan Turing at Bletchley Park" - as if, in the 1960s, everyone knew about Turing and Bletchley. And so on. I enjoyed a Small Death in Lisbon but this wasn't in the same league.
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