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The Office of the Dead (The Roth Trilogy)
 
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The Office of the Dead (The Roth Trilogy) (Paperback)

by Andrew Taylor (Author)
5.0 out of 5 stars  See all reviews (1 customer review)
RRP: £6.99
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Frequently Bought Together

The Office of the Dead (The Roth Trilogy) + The Judgement of Strangers (The Roth Trilogy) + The Four Last Things (The Roth Trilogy)
Price For All Three: £14.45

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Product details

  • Paperback: 432 pages
  • Publisher: HarperCollins Publishers Ltd; New edition edition (4 Sep 2000)
  • Language English
  • ISBN-10: 0006496555
  • ISBN-13: 978-0006496557
  • Product Dimensions: 18.2 x 11 x 3.4 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 76,866 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review

There are thrillers in which the use of language is pared down and functional to ensure the swiftest possible movement of the plot. But some writers have demonstrated that it is possible to utilise prose of the most elegant and sophisticated variety without sacrificing one iota of the riveting narrative quality. Andrew Taylor is one of the finest stylists in the genre, and remarkable pieces of work such as The Barred Window have made his books essential reading for the most discerning of crime enthusiasts.

The Office of The Dead, third in the Roth trilogy (The Four Last Things and The Judgement of Strangers), links the histories of two families, the Appleyards and the Byfields. It's England circa 1958 and Wendy Appleyard is in deep trouble. She's facing divorce with no money or work experience, so she looks to her oldest friend, Janet Byfield, for assistance. Unlike Wendy, Janet appears to be enjoying everything that life can offer: a good-looking husband, a loving daughter and an exquisite home in the Cathedral Close of Rosington. Her husband is an ambitious young clergyman, on the verge of promotion.

But there is the worm in the rosy bud: sins of the past begin to make a devastating claim on the present, and death comes to the Close, along with a mystery that reaches back to the previous century involving an ill-fated poet priest and opium addict called Francis Youlgreave. Wendy, as the outsider in this close-knit community, begins to suspect the truth about the dark secrets around her, and finds herself having to unlock a double mystery.

Taylor's theme, as in so much serious literature, is the inexorable hold that the past has over the present--and this is rendered in language of the most thoughtful and exuberant kind:

My mother thought Hillgard House would make me a lady. My father thought it would get me out of the way for most of the year. He was right and she was wrong. We didn't learn to be young ladies at Hillgard House--we learnt to be little savages in a jungle presided over by remote predators.
--Barry Forshaw --This text refers to an out of print or unavailable edition of this title.


Review

'Masterly! will have the reader turning back to check the identities of Taylor's ambiguous characters and relish his fine writing' Gerald Kaufman, Scotsman 'It is in the domestic sphere that Taylor triumphs! A highly sinister piece of work Natasha Cooper, TLS 'The writing is consistenly good' Sunday Times 'The intellect and the imagination are seized! Andrew Taylor has brought a major literary undertaking to a deeply satisfying conclusion' James Melville, Ham & High

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12 of 12 people found the following review helpful:
5.0 out of 5 stars A story of the darker side of 1950s family life, 5 Feb 2003
Wendy runs away from her unfaithful husband and takes refuge with an old schoolfriend in a small cathedral town. She takes a job in the cathedral library and starts to uncover some past secrets. But where she's living, a family tragedy is unfolding.

It takes a while for it to become apparent why this is a kind of psychological mystery but it's beautifully written. It's a historical novel set in the recent past of the 1950s, a period Andrew Taylor has also chosen for his Lydmouth series.

I was impressed that he was able to capture a female narrative voice I found so convincing, and found this a compelling read.

It is the last book in a trilogy that goes back in time, and is intended to follow THE FOUR LAST THINGS and JUDGEMENT OF THE DEAD, though it works fine as a standalone.

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