Most Helpful Customer Reviews
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59 of 60 people found the following review helpful:
5.0 out of 5 stars
Melancholic fantasy, 1 Sep 2006
I bought this book on the strength of previous reviews and am pleased to say I was not disappointed. As has been stated, GRRM's style is one of multiple viewpoints (initially confusing although by the middle of the book you know who's who, and in which 'house' they belong), within a continuous time thread. The writing is dark, gritty, and melancholic.
This isn't a 'quest' book; more of a history. And a realistic one at that. Although there is a complete lack of elves, dwarves, orcs, goblins etc, this book should be classed as high fantasy. Dragons, monsters, and magic exist in this world but they are relegated to the background. Nine tenths of this book deals in the down to earth machinations of the various courts. Heroes and villains do not exist. Everyone is painted in shades of grey. (Some greyer than others).
In the last 20 years there have been two books that completely blew me away. The first was Magician by Raymond E Feist, the second was Assassin's Apprentice by Robin Hobb. A Game of Thrones is the third. If you enjoyed either of the first two you will surely enjoy this.
Having read the rest of the books in the Song of Fire and Ice sequence, I can reassure you the standards set by A Game of Thrones are maintained.
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28 of 28 people found the following review helpful:
4.0 out of 5 stars
Enjoyable and surprising, 23 Aug 2006
On my latest foray to buy some new fantasy, the till assistant suggested that I might like to try George R. R. Martin. I had seen his books before, but had never committed to reading them, but on this recommendation, I picked this book up for my summer holiday. Over 800 pages and less than 5 days later it was finished.
Although somewhat slow in starting, the storylines soon become engaging and you really do want to find out what happens next. The book also contains a large number of surprises and means that you're never really certain where each story will lead.
For me, the biggest surprise was in the unusual structure. As has been mentioned, each chapter is named after the character whose view it is written from. This is not something I have encountered before, but I enjoyed the format. It gave a nice insight into characters from all "sides" and allowed a good deal of depth to be included for them.
The book as a whole is almost three independent stories. Firstly, the "Game of Thrones" is the nickname of the power struggle between high-born families to influence or take the throne. As usual, we have the good (Starks, Tullys), the bad (Lannisters) and the undecided (Baratheon). This covers the majority of the book and has only an initial interaction to one of the other storylines,
The second storyline has minimal interaction with the first and follows a sworn brotherhood that forego all previous ties and become a new "family". They are sworn to defend the kingdom and man the vast wall that separates it from the wilds to the North.
The final storyline does not interact with the others and is only hinted at by the telling of rumours in the kingdom. It charts the progress of the barbarian race of the Dothraki and their uneasy alliance with the last of the Targaryens, the family that were all but destroyed in a battle with the current head of the kingdom.
As in most fantasy, there are apparent good and evil sides, but most of the characters have a certain ambiguity which results in them doing something that you would not normally expect. This ambiguity is a neat way to make you connect with characters from both sides in a way that you wouldn't usually do and although it may be a little uncomfortable, it also provides a better immersion for the reader.
Another surprise is that magic is scarcely involved. It is only hinted at in the first two storylines and is only fully in evidence at the end of the third; I suspect that this will become more prominent in the following books.
Non-human creatures are also in short supply, but again, I believe that they will play a larger part as the series progresses.
To close, I would like to mention that there are a couple of plot twists that left me open-mouthed, a fact that I found most satisfying (after I'd recovered:-). Also, there are a couple of particularly grisly deaths and this combined with some of the more mature language and themes, indicate that this has been targeted at an adult audience.
I have tried to avoid any plot details since the impact of the book comes from not knowing what is going to happen next. it has introduced all the storylines and got them to a point where they are all about to explode into action. If you fancy something a little more complex and with a definite adult bias, this could very well be the book for you.
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96 of 99 people found the following review helpful:
5.0 out of 5 stars
Not for the kids, 3 Jul 2002
Suffice to say, from the top marks I'm awarding this book (and the whole series thus far) I found it to be an excellent read. No, that's insufficient, this is not only the best written Fantasy series (by far surpassing Tolkien in my opinion) I've read, it's almost certainly the most enjoyable book of ANY kind.
The writing style is intelligent and treats the reader accordingly, which is a refreshing change in the Fantasy genre, and the sheer bloody-mindedness of the plot subverts every preconception the reader may have while maintaining the traditional escapist elements familiar from 'lesser' works. The world of Fire and Ice is so fully realised it's hard to keep track of the history and vast array of characters but Martin guides you through it effortlessly and seems to have known from the first line exactly what is going to happen in every subsequent paragraph. His attention to detail is almost scary. The series also (incredibly) manages to improve with subsequent readings as the reader gets to grips with the innumerable plot developments and realises that the most unexpected of events was probably sign-posted ten chapters back.
One note of caution to perspective buyers however is that despite it's Fantasy trappings this is NOT a series suitable for children. Mr Martin does not shy away from explicit descriptions of horrific violence and sex and the language is frequently of the four-letter variety. Equally disturbing is the brilliant realisation of the multitude of characters in these books where the 'Heroes' prove capable of horrendous atrocities and the 'Villains' sometimes act with compassion and honour. And these characters can DIE; If a situation looks likely to be fatal, chances are it will be, which is almost unique in an on-going series and means every violent encounter is almost excrutiatingly tense.
So, not for the faint-hearted but certainly a series that sets entirely new standards for fiction, Fantasy or otherwise.
Brilliant.
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