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Dreamworld
 
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Dreamworld (Paperback)

by Jane Goldman (Author)
3.3 out of 5 stars See all reviews (12 customer reviews)

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Product details

  • Paperback: 320 pages
  • Publisher: HarperCollins Publishers Ltd; 1st printing edition (7 Feb 2000)
  • Language English
  • ISBN-10: 0002259109
  • ISBN-13: 978-0002259101
  • Average Customer Review: 3.3 out of 5 stars See all reviews (12 customer reviews)
  • Amazon.co.uk Sales Rank: 907,448 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review
The theme park called Dreamworld is a place where people feel safe--safe to bring their children, and safe to heal the damaged children that they themselves once were.

Around her, the visitors who had hurried to get into the park earlier that day fell blithely under its spell. No need to hurry now, plenty of time, they joined the gently bobbing human tide...this dreamy, insistent current of tired, happy people.

Security guard Avery has serious emotional pain in her past and her loyalty to Dreamworld is as unconditional as her love for senior executive Hayes. When murder and suicide strike, she agrees to a cover-up for the sake of Dreamworld, and only gradually discovers what she has agreed to...

Jane Goldman's first thriller brilliantly evokes the sunlit avenues and dingy maintenance tunnels of the world's favourite theme parks; she makes brilliant use of the large body of urban legends about theme parks, the stories people tell knowing them false and fearing they may be true. Avery finds herself investigating the sinister R&D department on an adjacent site--Goldman's informed speculations about the future of the entertainment industry make for some terrifying twists. Jane Goldman is already a star of teenage non-fiction publishing; her first novel is inventive, often charming and often terrifying. --Roz Kaveney

Synopsis
Stunning thriller featuring murder in the utopia of a Florida theme park, from a major new talent in the fiction world. It's another perfect day at Dreamworld, Florida's famous family vacation spot. Until its most popular character turns up murdered. When Lisa Schaeffer agreed to play the part of Kit-E-Cat, she expected to spend her time cuddling children, not getting stabbed and winding up with blood all over her fun fur costume, her unsavoury boyfriend dead at her side. A double death is not the sort of attraction the Dreamworld authorities want to publicize, and so their impressive security force swings into action. The utopian image must be preserved; no illusions shattered. Few are more sincerely devoted to this aim than rookie patrol officer Sylvia Avery, a smart, sensuous twenty-something with a shadowy past and an ambitious streak. But when another grisly murder suggests a new, more sinister possibility, Avery is forced to investigate the side of Dreamworld that visitors never see: the catacomb of hidden supply tunnels, the ultra-confidential research complex where top neuroscientists explore new avenues of virtual entertainment, the reality behind the whitewash.

But just how close can she get to the horrifying truth without jeopardizing Dreamworld's reputation, her job or even her life? Stunning suspense, non-stop surprises and dark wit combine in this thrilling novel from the hippest, sharpest, most talented new voice in fiction.


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Customer Reviews

12 Reviews
5 star:
 (4)
4 star:
 (2)
3 star:
 (2)
2 star:
 (2)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
3.3 out of 5 stars (12 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
2 of 4 people found the following review helpful:
4.0 out of 5 stars What is it with female detective writers?, 13 Mar 2001
By A Customer
A good start; I'll be keeping an eye out for future books by this author (in the hope that they'll be slightly more tightly plotted). My main complaint was the ending. Why is it that female detectives always seem to end up passing out at the end of the book, only to wake up and be told "You survived... whilst you were asleep, all the plot strands got resolved" (or something along those lines). Step forward Janet Evanonich, Sue Grafton, even Laurell K. Hamilton. Why can't female detectives be the ones to take control of the inevitable 'showdown with the villain' situation and defeat them? Is it just that writers don't know how to write about a woman overpowering a man (and the villains are still always male)? Sherlock Holmes never had to pass out to solve a mystery!
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2 of 4 people found the following review helpful:
1.0 out of 5 stars Nancy Drew and the theme park mystery, 26 Feb 2001
By A Customer
I really wanted to like this book. I have a lot of respect for Jane Goldman, and although the blurb put me off a little (I read the American copy, I don't know if its the same on the British), the list of acknowledgments featured some of my favourite people (Adam & Joe, Baddiel & Skinner, Neil Gaiman and of course Jonathan Ross) so I prepared myself for something good. Unfortunately, this might well be the worst book I have ever read - its badness makes me angry and tired. I should have trusted my blurb-reading instincts.

The writing style is meant to be American, but all the characters have a British way of interacting, with American slang liberally sprinkled. This makes it hard for Americans to understand (according to the Amazon.com reviews) and jarring for the British in a 'Jonnie Depp liking The Fast Show' kind of way.

This aside, the main complaint I would have with this book is that it comes completely from the Nancy Drew school of story telling. Pick any of the Nancy Drew Files and you basically have this plot development outline. The premise that if you keep making the main character jump to wrong conclusions about the murderers identity then the reader will automatically follow, really takes the mick after FOURTY CHAPTERS, when it's obvious right from the beginning - before you even know what crime has been committed, exactly who the bad guy is. Even Avery's constant swooning (in a professional, yet feminine way naturally) at the college-boy love interest, is very, well, NANCY DREW. Even the ending, which was trying so very hard not to be cliched, was just really cliched.

There is nothing wrong with the main story of this book. It is really clever and well thought out, but the insane amount of detail about both Florida and the Disney parks, as well as the really bad character development just made me wish it were a film so that I could fast forward to the interesting bits.

Jane - if you're out there, this could have been really good. Next time just set it in Peckham and concentrate on the plot instead - then you could have a really great book on your hands. Oh, and quit reading Nancy Drew.

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1 of 3 people found the following review helpful:
5.0 out of 5 stars Loved it!, 16 Jul 2002
By A Customer
This review is from: Dreamworld (Paperback)
Jane Goldman's attention to detail is superb, and all the more impressive considering that she is not american, all the minutiae of american life has been well studied. I have heard some stories about theme parks which could be described as urban myths so this story was tantalising as it hinted that there is a seamy underbelly to these fun palaces that may not all be myth. When I started the book I was sure that I could see the plot devices coming from a mile off and smugly predicted the ending, but as the story progressed the twists in the plot had me reeling. Gripping stuff, can't wait for the next one!
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Most Recent Customer Reviews

5.0 out of 5 stars Far better than i ever imagined! READ THIS!!!
Wow! i loved this book so much. i couldn't stop reading it. once you have readit though you start to think that their could be some truth behind the ideas. Read more
Published on 20 May 2006 by Katrin Princess

3.0 out of 5 stars A good book for teens
I only bought this because of the very eye catching cover! But am glad I did. Even if the story is meandering, and although it becomes obvious who the killer is before you... Read more
Published on 27 Aug 2004 by Emma

2.0 out of 5 stars Patience is required!
When I first picked up this book I expected it to be far more sinister and more thrilling, but maybe I was over- anticipating. Read more
Published on 6 Aug 2001

2.0 out of 5 stars Middle of the road
Not sure about this book. Far too much detail for my liking which made you feel an outsider from the story. Easy book to get into and quite enjoyable too.
Published on 15 Jan 2001

4.0 out of 5 stars Formulaic but Fun
OK, this book doesn't hold too many surprises, and the 'twist' you can see coming a mile off, but it is well written and the theme park setting is well realised. Read more
Published on 15 May 2000 by CJ

3.0 out of 5 stars OK, kept me happy on the Tube
Not the best read in the world, but not bad either. I got the impression here was a fairly competant British writer, writing for an American market, when she would have done a... Read more
Published on 28 Feb 2000

5.0 out of 5 stars Hiassen meets Highsmith
No offense to the ladies, but it's quite rare when a female novelist matches the casual and funny evocation of life's underbelly that a Carl Hiassen or an Elmore Leonard is able... Read more
Published on 19 Feb 2000

5.0 out of 5 stars Couldn't put it down!
I don't know what book that other guy was reading, but the Dreamworld I just read was a bonafide page-turner! Read more
Published on 16 Feb 2000 by cc_wyler@hotmail.com

1.0 out of 5 stars Trite, contrived andobvious
Boring. A formula thriller awash with cliches and unburdened by believable characters Dreamworld disappoints on every possible level. Tension? Read more
Published on 3 Feb 2000

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