The God of Small Things (Hardcover)

The story jumps about a lot, with twins Estha and Rahel as children in parts and adults in other parts. But each chapter gives you a little clue at the beginning as to which era it is talking about. The twins as children have all sorts of little childish phrases, songs and thoughts that not only portray their playful innocence but also lend the reader a hint as to which period the chapter is currently in. Some reviewers have said that the jumping about in time made the story unnecessarily difficult to follow, and was done just for artistic prize-winning purposes, but I have to disagree. Had the story been told chronologically, it wouldn't have been anywhere near as atmospheric. There were parts of the book where the most important point to get across was the sheer sadness and melancholy. To have had a full prior knowledge of why the sadness was there would have jaded the scene with the reader's own reaction or interpretation of the preceding events. In real life when you meet people with a story or a history behind them, you meet the person and get to know their character first, and then the full story unfolds later on in bits and bobs, just like in this book. Also, that is the way it was for the twins - they didn't really understand the full horror and meaning of what had happened until they grew up. It was a way of showing how the events shaped the twins' lives gradually as they grew to see the significance of each event, without the writer having to spell it out.

It is true that a good story makes a great read, and there are times when over-descriptiveness and too many metaphors can spoil a book and make it boring. But in this case, for me at least, the metaphors combined with the repetitiveness of silly childish chants and phrases made the atmosphere and ambience of the book just right. It also succeeded in bringing me right into the feeling of childhood, with Bar Nowls and Lay Ter (dum dum).

I have to agree with the more positive critics, that this book IS beautifully written. It definitely left me thinking about it for ages afterwards, with each little scene left swimming about in my head for me to daydream away to! I thoroughly enjoyed it, and am now feeling a bit lost until I get stuck into another good book.

You know what is coming, and grieve for the passionate woman at the centre of the book, for her two children, for the lover, for the country that could allow this to happen, for the passionate at heart everywhere.

The language is lyrical and ringingly poetic: some of the images will stay with me for a long time. I was particularly taken by the writer's ability to take a child-like perspective at moments of intense emotion, to see from a child's eyes, yet to describe feelings which are simultaneously adult.

A stunning first novel; rich, intense, powerfully moving.