Most Helpful Customer Reviews
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
A near-overwhelming blast of ideas...with a bleak climax., 8 Jul 1999
By A Customer
The 21 stories here cover a huge range of themes and styles, but be aware that a similarly broad spectrum of quality is also a characteristic of this collection. 'The Droplet' seems rather clumsy in it's portrayal of human relationships, 'Weep for the Moon' is so full to bursting of superb ideas it becomes a bizarre mess, and 'Good News' is simply limited by concerns of copyright and continuity of a certain Man of Tommorow. But, as in his novels, when Baxter is good, he's the best. 'Columbiad' totally convinces us that Verne's Lunar voyage really happened, and Baxter's research and attention to detail, as well as his insight into the minds of real space explorers, makes 'Pilgrim 7' an excellent piece of sf. In 'Zemlya', again we are given a near-overwhelming blast of ideas- Gagarin's shocking secret destiny after Vostok, and the development of life on Venus - yet this time the reader just about comes through. It is 'Moon Six' which seems to be the grand moment of 'Traces'. In this, human reactions and emotions are noted perfectly, the various moon missions that the US and USSR never flew are described with total realism, and the science is intruiging. The display of an early-A.C.Clarke/Dan Dare world is suprising, funny, and shocking- a great moment in sf, as is this whole collection. We end our trip with Baxter 'In the MSOB', and, like in his other shorts collection 'Vacuum Diagrams', we find the destination is terribly bleak. Clarke's Universe is indifferently hostile; Baxter pulls no punches in showing us that man is, also.
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1 of 2 people found the following review helpful:
3.0 out of 5 stars
The beginnings of many good ideas ..., 8 Jul 1999
By A Customer
In this book, a collection of stories drawn from the late Eighties to the early Nineties, Baxter begins to demonstrate the skill in world-building that has won him legions of fans in recent years. Unfortunately, many of the stories in this collection rely a little too heavily on world-building and not enough on those old staples, plot and characterisation. Baxter's early works, like those of Arthur C Clarke, to whom he is often compared, seem too often to rely on a half-nifty idea to make up for thinly drawn and unprepossessing characters. The comparison is expecially unkind in the case of the title story, an inadvertent variation on the theme of Clarke's famous short "The Star", but without the humanity that gave the older story its sting. Many of the stories herein have only the suggestions of a plot, too, mostly being more concerned with delineating a mood than with telling a story; at best, there is a weak twist in the tail that rarely provokes more than mild amusement. Nothing wrong with that, necessarily, but in some cases -- notably "The Blood of Angels" -- the writing is simply not strong enough to sustain this reader's interest. Your mileage may vary. Nonetheless, a worthwhile read, if only as a curiosity, for enthusiasts of Baxter's long-form work.
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