In a world where the "artist" in recording artist has become an increasingly vague term, Rickie Lee Jones remains steadfastly, the real thing. Primarly an album artist, removing any of the songs from their original context makes a definitive collection seem impossible. However an anthology is the right approach. The format serves the music better as her songs read more like chapters from novels than selections for a jukebox. Consider Duchess of Coolsville as a kind of library where you pick a track the way you would pick a book. (That said, it makes perfect sense the songs are arranged alphabetically). The packaging and photos are beautiful. As for the songs themselves, it doesn't take a huge leap of imagination to understand why she's one of America's greatest musical treasures. Atlas' Marker (The Aviator) [Live, with Bill Frisell] is absolutely breathtaking. It is wonderful they remastered her earlier songs. On Pirates (So Long, Lonely Avenue) the nice washes of sound formerly obscured by old production values are brought up in the mix and makes the songs as painterly and consistent with her later records. Smart. It is a compelling wake up call for a remastering of the classic record it came from, Pirates (1981). The third disk of outtakes and demos are a real treat. The demo of Easy Money has the feel of a historical recording and Young Blood sounds achingly hungry and as inspired as the original. Lastly, if Ms. Jones' music has never reached your heart before, the demo of After Hours will.