Amazon.co.uk Review
A feel-good movie that highlights the beauty of France as much as it does its stars,
A Good Year provides a languid, gorgeous viewing experience. Director Ridley Scott and Russell Crowe--who first worked together on the Academy Award-winning
Gladiator--are reunited in this romantic film, which is based on Peter Mayle's book
A Year in Provence. Crowe plays Max, a workaholic London bonds trader who doesn't know the meaning of vacation. When his uncle dies, leaving him a picturesque estate in the south of France, Max views it as an opportunity to cash in the vinery and pocket the profits. The film is reminiscent of Diane Lane's Under the Tuscan Sun in the way the scenery plays as much of a role in the film as its characters. The lush village and streaming sunlight portray Provence as an idyllic, magical place. Even Max falls under its spell. While not a particularly likeable character, especially in the early part of the film, Max also isn't a bad guy. When he gets the chance to live life at a less manic pace than which he is used to, he finds that a good year isn't dependant on a financial windfall. Though Scott tries to drum up some suspense in the film (Is the beautiful visitor really Max's illegitimate cousin? Will Max fall in love with the feisty local woman he trades quips with?) nothing that happens comes as much of a surprise. Still, while the film doesn't fully utilise Crowe's range of skills, the actor is charming in his role and
A Good Year provides fine viewing.
--Jae-Ha Kim
Synopsis
London banker Max Skinner (Russell Crowe) is a cutthroat workaholic who cares only about winning and making money. During his rise to the top, Max has forgotten the important life lessons that his favourite uncle, Henry (Albert Finney), taught him during summers at his vineyard in Provence. Estranged from Henry for years, Max is surprised to learn that his uncle has passed away and as his closest living relative, he is set to inherit the estate, La Siroque. True to form, Max heads down to Provence for a quick visit in order to assess the value of the property with dollar signs in his eyes. Once immersed in Henrys world and the charm of La Siroque, Max begins to remember his visits and how much Henry and those summers meant to him. Other surprises--including a budding romance with fetching local cafe owner Fanny Chenal (Marion Cotillard) and a visit from a young American claiming to be Henrys illegitimate daughter (Abbie Cornish)--prolong Maxs visit, making Provence more and more difficult to resist. Can Max be content leaving his fast-paced life in London for lazy days in a French vineyard? Or will he sell his estate to the highest bidder, memories and all, and return to his hectic lifestyle? Crowe shows his softer-side--and even throws in some physical comedy--as a man revisiting his past and considering his future. Finney is a charmer as Henry in flashback scenes (where Freddie Highmore plays a young Max) that establish his characters joie de vivre and the tender relationship shared between uncle and nephew.